Mallory Pearson: "We Ate the Dark" (ARC Review)

Title: We Ate the Dark [on Amazon | on Goodreads]
Series: None so far (though according to a Goodreads reviewer, the author has - had? - a duology in mind)
Author: Mallory Pearson [Site | Goodreads]
Genres: Supernatural, Afterlife, Multiverse, Mystery
Year: 2024
Age: 16+ (technically an adult book, but it can be read by mature teens. See the WARNING! section though)
Stars: 4/5
Pros: Visceral and lyrical (if dark) celebration of found family, queer love, female friendship, and everything in between.
Cons: Metaphor galore - some of them over the top or bizarre. Open ending, with loose threads that were likely left for a potential sequel to pick.
WARNING! Horror and gore, violence (not of the sexual kind), near-drowning, fire, darkness (in the literal sense), claustrophobic spaces, evil spirit possession, extreme grief. 
Will appeal to: Those who love a story that crosses the space between all-consuming friendship and queer love. 

Blurb: Five years after Sofia Lyon disappeared, her remains are found stuffed into the hollow of a tree bursting through the floorboards of an abandoned house in the woods. The women who loved her flock home to the North Carolina hills to face their grief. Frankie, Sofia’s twin, is in furious mourning. Poppy is heartbroken. Cass has never felt more homesick. And Marya knows something the rest of them don’t. Determined to find Sofia’s murderer, they share more than a need to see justice done for their friend. As Sofia’s secrets unravel, so do those of the woods, and the women soon realize that Sofia might not be who they thought she was at all. And that whoever - or whatever - killed her is coming after them. (Amazon excerpt)

Review: First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to 47North for providing a temporary ecopy. This didn't influence my review in any way.

SHADES OF LOVE

Let's address the elephant in the room first, because it's not like it's a secret: We Ate the Dark has a low average rating on Goodreads. Now, I don't mean to invalidate my fellow readers' opinions...but I'm surprised at the number of bad reviews this book is receiving. I get where most of them are coming from (more about that later), but at the same time, I found a lot to love in this story, and I'm going to tell you what it is.

Look, I may be a tad biased, because Pearson put together a lot of my favourite elements for this story: ghosts, haunted houses, alternate universes, a murder mystery, and a found family of women who just won't quit. But there's a lot more in here that I didn't expect and quite liked. Three old friends whose paths diverged after one of them disappeared are brought together by a shocking discovery (another trope I can't seem to tire of), and set on getting justice for one of them, all while trying to forgive and forget the hurt they've inflicted on one another, yet at the same time remember what they used to be for one another. Plus a newcomer with a gift that's more of a burden manages to get accepted into their circle, and does her best to make them realise she belongs with them. Cycling through the voices of all four girls (not to mention the missing twin's and a separate female character's), We Ate the Dark is first and foremost an exploration of female friendship and queer love and the liminal space between the two, from teenhood to new adulthood. I've never had relationship like those in the book, and yet the author was able to make me believe in each and every one of them. While there's no evident homophobia in the story, at least one of the characters tries to forge a more "traditional" sexual identity for herself, setting the whole tragedy in motion. But it's a different tragedy than you'd expect, and the focus of the story remains on the bond among women, the nuances of their relationships, the family that fails you and the one you make for yourself. And here's where Pearson's writing excels, down to the phenomenal single chapter in first person plural. [...]

SLIP OF THE TONGUE

Speaking of the writing...that seem to be the point of contention among the reviewers - the dealbreaker that creates a flow of 5-star reviews and an ocean of 1 and 2-star ones. Here's my take: undeniably, there's an abundance of metaphors in this story, some of which are extravagant or overripe. On the other hand, there's a robust dose of lyrical writing peeking from under the sometimes intimidating similes, and it does manage to shine and create pockets of beauty and ambiance in the middle of the clunkier passages (impressive enough for a debut book). It does help that We Ate the Dark doesn't read as if the author were browsing through a dictionary in order to find the most obscure and pretentious words (Vangie's Ghosts, I'm looking at you), and that even in its most unfortunate moments, Pearson's writing never stood in the way of my appreciation for the story and its characters. What I'm trying to say is, I'm not a fan of purple prose, but I can forgive a number of purple passages if the story as a whole is worth it - which to me, We Ate the Dark definitely is. And I would be SO pissed if the author didn't get the chance to wrap up the events she set in motion due to the lukewarm reception this book is getting - because alas, the ending has clearly been written with a second installment in mind, and I for one need to know what happens next...So let's help this story get the epilogue it deserves, shall we? 🙂

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