Jihyun Yun: "And the River Drags Her Down" (ARC Review)

Title: And the River Drags Her Down [on Amazon | on Goodreads]
Series: None
Author: Jihyun Yun [Site | Goodreads]
Genres: Supernatural, Afterlife, Contemporary
Year: 2025
Age: 14+
Stars: 4/5
Pros: Honest, raw (yet at times poetical) representation of grief. Fleshed out characters who elicit sympathy even when they make bad choices. Atmospheric writing.
Cons: Gloomy and emotionally though. Delivers a predictable (though powerfully executed) resolution.
WARNING! Parent death, sibling death, animal death/sacrifice, body horror/decay, car crash, drowning/near drowning, strangulation, burns, underage drinking. Parentification, grief, racism.
Will appeal to: Those who enjoy revenant narratives, lyrical horror, Korean folklore and coming-of-age themes. Those who like damaged characters, complicated sibling relationships, and estranged friends' reconnections leading to tentative romance.

Blurb: When her older sister is found mysteriously drowned in the river that cuts through their small coastal town, Soojin Han disregards every rule and uses her ancestral magic to bring Mirae back from the dead. At first, the sisters are overjoyed, reveling in late-night escapades and the miracle of being together again, but Mirae grows tired of hiding from the world. Driven by an insatiable desire to unravel the truth that crushed her family so many years ago, she is out for revenge. When their town is engulfed by increasingly destructive rain and a series of harrowing, unusual deaths, Soojin is forced to reckon with the fact that perhaps the sister she brought back isn’t the one she knew. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Oneworld Publications/Rock the Boat for providing a temporary ecopy. This didn't influence my review in any way.

A STUDY IN SORROW

Yun takes a pretty common trope in YA literature - a teen with powers bringing back a dead loved one, namely a sister - and uses it to its best advantage in order to tell a much larger story, incorporating themes like parentification, selfishness, loneliness, guilt, by way of ancestral magic and Korean myths/culture. Mainly told from the perspective of 17 y.o. Soojin, but including other POVs, mostly resurrected sister Mirae's (one of the touches that make the book stand out in a sea of "came back wrong" narratives), And the River Drags Her Down pulls no punches in exploring the grief that engulfs a broken family (six years prior to Mirae's drowning, when the girls were 10 and 11, their mother died in a car crash) and its consequences - maybe a tad, you know, enhanced by magic, but not less relatable for this reason...if anything, even more. While the power that the women in her family possess was originally born out of very primal needs during a prolonged food shortage (and only meant to resurrect small animals), Soojin has twisted it into a tool to avoid facing loss, even before she employs it to resurrect her sister. Mired in grief and loneliness, she ultimately turns to her gift in order to get her only emotional anchor back, but there will be hell to pay - for her and Mirae both, not to mention, a bunch of other people - and ultimately, a though decision to make.

DOUBLE-EDGED SWORD

As I said above, Yun effortlessly weaves other perspectives into the story, especially Mirae's - and a bit at a time, we piece together her story and the mystery about her untimely death (well, not only that...no spoiler though), and her peculiar brand of "came back wrong". But amidst those horrors, the author manages to make us sympathetic towards her by showing us her more vulnerable side, the injustices she had to endure, and the skewed family dynamics she found herself trapped into after her mother's death. The best thing about this story, to me, is that not only the living, but also the dead end up "coming of age", in a fabulous and heart-wrenching dreamlike scene where, finally, Soojin gets the chance to be the sister she never knew how to be. Add to this an estranged-friends reconnection with romance potential (very slow-burn, thank goodness), and you'll have the recipe for a story that cuts like a knife and comforts like a warm blanket. Crude yet lyrical, emotionally taxing yet ultimately hopeful, steeped in Korean lore and culture yet speaking the universal language of love, pain and sisterhood - whatever your age, Yun's YA debut will get a hold of you and not let you go.

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