Melissa Albert: "The Bad Ones"

Title: The Bad Ones [on Amazon | on Goodreads]
Series: None
Author: Melissa Albert [Instagram | Goodreads]
Genres: Supernatural, Thriller/Mystery, Contemporary
Year: 2024
Age: 14+
Stars: 4.5/5
Pros: Engrossing, twisty mystery. Unexpected resolution. Fleshed-out leads whose relationship is equally well-developed.
Cons: A certain player's involvement becomes clear a bit too early. The supporting characters are little more than tools to advance the plot. The romance feels unnecessary.  
WARNING! Sexual assault/abuse (off-page), self-injury, car accident, parental death (off-page), murder by suffocation, near-drowning. Homophobia, bigotry, bullying.
Will appeal to: Those who like urban legends/supernatural mysteries/witchcraft gone wrong. Those who enjoy fierce, yet messy/toxic friendships.

Blurb: In the course of a single winter’s night, four people vanish without a trace across a small town. Nora’s estranged best friend, Becca, is one of the lost. As Nora tries to untangle the truth of Becca’s disappearance, she discovers a darkness in her town’s past, as well as a string of coded messages Becca left for her to unravel. These clues lead Nora to a piece of local lore: a legendary goddess of forgotten origins who played a role in Nora and Becca’s own childhood games... (Amazon)

Review: I'm late to the Melissa Albert party, but after loving her adult debut, I've made it my mission to read everything she writes. I have some small quibbles about The Bad Ones, but regardless, I found it to be trippy, entertaining and emotional, and I loved its curveball ending.
Just a heads-up before I start...the cover doesn't match the content. There's a weeping angel statue at some point in the story, but don't expect it to mean anything...and if the cover is supposed to represent the goddess (which of course it is), BIG FAIL.

DAZED AND AMAZED

The Bad Ones blends all-consuming (you might very well say toxic) friendship with a supernatural mystery that leaves you enough breadcrumbs to figure out its direction, yet throws you for a loop multiple times before you decipher it, and hits you with a last couple of twists you couldn't have seen coming. Told in three different voices and timelines (Nora's 1st person POV in the present, Becca's 3rd person POV in the past, another character's 3rd person POV recounting even older events), it's an addictive puzzle with minimal gore or violence, but a dark core - though it ultimately ends up in a much healthier place than one might expect. The beginning is atmospheric, intriguing, creepy - unexpected, too. Albert doesn't waste time setting up the mystery, but she doesn't start, as one would anticipate, by introducing her main characters - yet the hook is impossible to resist: three people, apparently unrelated, are accosted by a mysterious female being and vanish into thin air. From there, the wheels in the reader's head keep turning and the theories about what happened to those three (and to Becca herself, later reported missing as well) multiply. I buddy-read this one with my friend Carrie, and we traded a few wild hypotheses along the way, but most of them turned out to be wrong...though at least one of the answers had stared us in the face the whole time 😅. And, considering we're both seasoned supernatural-thriller readers, that's saying something. The final twist had me in awe, especially since it took one of my core assumptions about the plot and flipped it on its head, giving the story a far more original - and tragic - angle (Carrie was a bit less enthused by that turn of events, but I'll let her review speak for itself). [...]

Ian Chorão: "When We Talk to the Dead" (ARC Review)

Title: When We Talk to the Dead [on Amazon | on Goodreads]
Series: None
Author: Ian Chorão [Instagram | Goodreads]
Genres: Thriller/Mystery, Supernatural (more like Paranormal, but I'm using genre labels that match my Reading Rooms, where Paranormal is under the Supernatural umbrella)
Year: 2025
Age: 16+ (please have a look at the WARNING! section though)
Stars: 4/5
Pros: Haunting, tense, almost lyrical at times (horror notwithstanding), with diverse, fleshed out characters and intriguing dynamics.
Cons: A couple of major plot points (not of the supernatural/paranormal kind) require a strong dose of suspension of disbelief. The open ending may not sit well with certain readers.
WARNING! Violence/assault (not of the sexual kind), horror/blood and gore (I can't be too specific in order to avoid spoiler, but TW for drowning). Anxiety, intrusive thoughts, trauma, loss of a sibling, loss of a parent, mentally ill parent. Use of a derogatory term.
Will appeal to: Those who are looking for a blend of very real and psychological horror with a twist. Those who are fond of damaged, yet brave characters and complicated relationships.

Blurb: Though nineteen-year-old Sally remembers nothing about the accident that took place on Captain’s Island and destroyed her family when she was a little girl, she suffers from intense anxiety, pervasive bouts of dissociation, and gruesome nightmares. All Sally knows is that her mother hasn’t spoken since the accident that took the life of Sally’s twin sister. Following the tragedy, her family fled and never looked back. When her mother suddenly dies, Sally and three college friends travel to the island - for her friends it’s an adventure to a strange, abandoned place. For Sally, it’s a desperate bid to recover some of her memories and understand what really happened to her family. But when memories begin to return, Sally is overcome by grief and rage that threaten to plunge her into madness – a madness that is fed by a malevolent presence stalking them on the island. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Crooked Lane Books for providing a temporary ecopy. This didn't influence my review in any way.

GHOST IMAGE

When We Talk to the Dead turned out to be a different novel than I'd envisioned - mind you that's not a bad thing at all, but I want you to have a better idea of what you're getting into if you decide to give it a chance (which you totally should 😉), so I thought I'd give you a heads-up. With very little help from the cryptic cover (though, after reading the book, I realised it was a good fit), and nothing else to go by than the blurb and the title, I thought I was in for a ghost story...which I suppose can be deemed true in a sense, but not the one you would imagine. OK, now it's me who's being cryptic, but I don't want to spoil the book for you either...Suffice to say, there aren't any ghosts in this story...not in the classic sense. But if you think of memories and trauma and lost loved ones and the child you used to be as ghosts, I suppose there are plenty... [...]

Olivia Neal: "Blue Ridge Calling" (ARC Review)

Title: Blue Ridge Calling [on Amazon | on Goodreads]
Series: None
Author: Olivia Neal [Site | Goodreads]
Genres: Contemporary, Supernatural, Afterlife
Age: 14+
Stars: 4/5
Pros: Entrancing, quietly magical. Features relatable characters with authentic teen voice.
Cons: A bit of a slow burn. Leaves some questions unanswered. The open ending may not sit well with some readers.
WARNING! Death in the family, grief, depression, depiction of a broken body. Drinking and smoking (on page).
Will appeal to: Those who like heartfelt stories that combine magic, ghosts, found families, hurting and healing, and a coming-of-age arc.

Blurb: Two years ago, a car accident on a perilous mountain road sent a family into freefall, and none of them have been the same since. Sage used to have everything under control: perfect grades, record times on the swim team, and carefully medicated ADHD. But ever since her mom died, she’s just been going through the motions. Kora has known Sage’s family her whole life, so losing Sage’s mom was like losing her own. At the end of the summer, she’s supposed to abandon her beloved Blue Ridge mountains for a prestigious art school in New York, but leaving now feels wrong. And an unexpected romance with a new girl in town might complicate things. Then there’s Sam, Sage’s older brother. He’s spent the last two years traipsing through the mountains, trying to find evidence of local ghost stories. He said he would be back by now, but no one has heard from him. To find him, Kora and Sage will have to dig deeper into the myths and legends of the mountains they call home - before it’s too late. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Running Wild Publishing/RIZE Press for providing a temporary ecopy. This didn't influence my review in any way.

CURVE BALL

Reading this book was a strange experience. I requested it thinking it would be heavy on female friendship and ghost lore, and while it did, indeed, put the former on the forefront right from the start, at first it seemed more interested in introducing instant romance and what appeared to be a budding love triangle - involving a bisexual girl, her (male) ex and her new (female) flame - than in delivering on the ghost promise (as a matter of fact, ghosts didn't even make an appearance until past the halfway mark). Except what I feared would be a typical (if atmospheric and charmingly written) YA book ultimately evolved into something much more meaningful and emotive than I could imagine - among other things, a celebration of siblinghood and found family, identity and connection, and the strength it takes to leave the familiar path and steer into the unknown. The conflict I was bracing for fizzled out, the romance was fast but surprisingly healthy, and the apparently mismatched group at the center of the narrative - lifelong friends (and narrators) Sage and Kora, new girl Hunter, Kora's ex Connor, and Sam's secret friend Noah - ended up both striking a bond and winning my heart. By the time the ghosts were properly introduced (and what an introduction it was) and the supernatural aspect as a whole started threading into the story, I was hooked. [...]

Mallory Pearson: "Voice Like a Hyacinth" (ARC Review)

Title: Voice Like a Hyacinth [on Amazon | on Goodreads]
Series: None
Author: Mallory Pearson [Site | Goodreads]
Genres: Supernatural, Contemporary
Year: 2025
Age: 14+ (technically a NA book, but it can be read by mature teens. See the WARNING! section though)
Stars: 5/5
Pros: Immersive, visceral, gorgeously written.
Cons: Quite dark, if ultimately hopeful.
WARNING! Blood and gore, sexual harassment, self-cutting (during a ritual), alcohol and drug abuse, vomiting, near-drowning, fire, death/animal death. On a psychological level: codependency, high-stakes competition, familial pressure.
Will appeal to: Those who feel a pull towards visual arts (especially painting). Those who love a story that crosses the space between all-consuming friendship and queer love.

Blurb: Art student Jo Kozak and her fellow classmates and best friends, Caroline, Finch, Amrita, and Saz, are one another’s muses - so close they have their own language and so devoted to the craft that they’ll do anything to keep their inspiration alive. Even if it means naively resorting to the occult to unlock their creativity and to curse their esteemed, if notoriously creepy, professor. They soon learn the horrible price to be paid for such a transgressive ritual. In its violent aftermath, things are changing. Jo is feeling unnervingly haunted by something inexplicable. Their paintings, once prodigious and full of life, are growing dark and unhealthy. And their journey together - as women, students, and artists - is starting to crumble. To right the wrong they’ve done, these five desperate friends will take their obsession a step too far. When that happens, there may be no turning back. (Amazon)

Review: First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to 47North for providing a temporary ecopy. This didn't influence my review in any way.

LEVEL UP

Eight months ago, I reviewed Pearson's debut novel We Ate the Dark. Despite the abundance of purple prose, I liked it quite a bit, noting that there was "a robust dose of lyrical writing peeking from under the sometimes intimidating similes" and that "Pearson has the makings of a good writer, if only she can rein those similes in a bit. Then again, this is a debut book, so maybe she still has to hone her craft" (the second quote comes from my reply to a fellow blogger's comment). It turns out I was right on both counts - and the Goodreads average rating agrees with me this time. On a content level, Pearson's sophomore novel draws on the same main theme of her debut ("female friendship and queer love and the liminal space between the two"), but ups the ante by setting her story in a small, yet competitive art college, and steeping it in codependency and obsession, both with the art and the friendship. In the same guise, though somehow in reverse - by way of subtracting instead of adding - the author sticks to the poetical, luscious writing she employed for her first novel, but prunes it of all the (often overdone) metaphors and craft her prose into a thing of beauty. The result is a terrific book (in more than one sense) that only goes to show how much Pearson has grown as a writer, while staying true to her signature style. [...]

Sarah Hollowell: "What Stalks Among Us"

Title: What Stalks Among Us [on Amazon | on Goodreads]
Series: None
Author: Sarah Hollowell [Site | Goodreads]
Genres: Supernatural, Contemporary
Year: 2023
Age: 14+
Stars: 4.5/5
Pros: Spectacular premise that delivers all along. Lots of (often literal) twists and turns. Powerful friendship dynamic. Fat rep. Addresses lots of important topics (see the WARNING! section).
Cons: A couple of plot points ended up being red herrings of sorts or getting no explanations.
WARNING! (TW list provided by the author): Physical, emotional, and psychological abuse; aspects of abuse including victim blaming, isolation, manipulation, and gaslighting; mental illness (depression, anxiety, PTSD), self-harm (cutting), death, violence (gunshots, stabbing, strangulation), gore and body horror.
Will appeal to: Those who are in for a time-looping supernatural mystery with a strong contemporary core.

Blurb: Best friends and high school seniors Sadie and Logan ditch their end-of-year field trip to the amusement park in favor of exploring some old, forgotten backroads. The last thing they expect to come across is a giant, abandoned corn maze. When they stumble on the corpses in the maze, identical to them in every way (if you can ignore the stab and gunshot wounds) they quickly realize they’ve not only entered this maze before, they’ve died in it too. A lot. And no matter what they try, they can’t figure out what - or who - is hunting them. (Amazon excerpt)

Review: I requested this book on NetGalley last year to no avail. It turns out that (regardless of my small following, that might very well have been the reason for the rejection) I was a potential champion for it all along, because I kept it on my radar, I ultimately read it all the same and I loved it! (It doesn't hurt that it matches my blog aesthetic so well LOL).

A-MAZE ME

You know that feeling when a book has got an exciting premise, except the story doesn't make it justice? Well, nothing of the sort happened here. What Stalks Among Us (genius title, BTW) delivered on all counts, keeping me on my toes with all the twist and turns of the plot and the setting alike. I was invested in the mystery and the outcome (plus other aspects that I'll talk about later), but regardless, navigating the maze was a ton of fun in itself, a never-ending source of surprises and exhilarating moments. Also, the maze had a timey-wimey quality that I dug a lot, with intersecting temporal planes and even a number of loops - not to mention, it sometimes reacted to its visitors' (or better, prisoners') presence in very specific ways. I have to admit that not every one of the labyrinth's peculiarities made complete sense (neither did its genesis - knowing what I know now, I would have expected something different than a corn maze at the very least): e. g., I'm not sure how two instances of the same character could coexist, since it seemed at odds with the premise, and Sadie's connection to the maze and the significance of the sheep skeleton were never explained (though I have a theory about the former...but then again, it's contradicted by what happened with another character). But on the whole, the worldbuilding was well-executed and full of interesting angles (and paths...and more angles...see what I did here? 😉). [...]

Matteo L. Cerilli: "Lockjaw" (ARC Review)

Title: Lockjaw [on Amazon | on Goodreads]
Series: None
Author: Matteo L. Cerilli [Site | Goodreads]
Genres: Alas, nothing to see here, since revealing the genre(s) would ruin your reading experience...If you want to go into the book without knowing anything vital about it, I recommend that you not read the Labels at the end of my review either. No need to worry though - the review itself will be spoiler-free...
Year: 2024
Age: 14+
Stars: 4/5
Pros: A captivating look at friendship, sisterhood, marginalised identities on one hand, power abuse and lack of empathy/conspiracy of silence in a suburban setting on the other. Includes a brilliant twist that puts all the previous events in perspective.
Cons: Slow start. Some metaphor iterations.
WARNING! Blood and gore, violence, near-drowning, animal deaths. Toxic/neglecting adults, domestic violence (off-page), bulling, racism, transphobia (also internalised).
Will appeal to: Those who like books that straddle the line between the ordinary and the supernatural. Those who enjoy stories about a (diverse) band of misfits.

Blurb: Chuck Warren died tragically at the old abandoned mill, but Paz Espino knows it was no accident - there's a monster under the town, and she's determined to kill it before anyone else gets hurt. She'll need the help of her crew- inseparable friends, bound by a childhood pact stronger than diamonds, distance or death - to hunt it down. But she's up against a greater force of evil than she ever could have imagined. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Penguin Random House/Tundra Books for providing a temporary ecopy. This didn't influence my review in any way.

PULLING THE RUG

To me, this book has a "before" and an "after". At first I was baffled, because while it was marketed as YA, the protagonists seemed to be on the MG spectrum (11 going on 12), and the writing was very descriptive - two things that I don't fare well with; not to mention I hadn't signed for the first one, and I didn't understand how the very characters who were supposed to be the protagonists according to the synopsis could be younger than the synopsis itself promised (see the "trans YA horror" label). Then a few different, older perspectives started to appear (YA, NA), and the style partly changed as the action took over, so I began to enjoy the story more...but things definitely shifted for me midway through, when a mind-blowing twist changed my whole perspective about the previous (and present) events, and left me both in awe and desperate to unravel the mystery. Mind you, the twist didn't come out of the blue - Cerilli left enough bread crumbs on the way to it that all the pieces fell into place once the reveal happened, all while being able to cover his tracks. Before the twist, a couple, maybe three incidents made my brain tingle for a moment, but then I proceeded to rationalise them and promptly forget about that "something is off" feeling...also because the truth was too outrageous to figure out. All I can say is, said twist put the story firmly into the "weird and wonderful" territory that I favour in literature, and made all the difference for me in terms of REALLY enjoying this novel. [...]

B.C. Johnson: "Deadgirl: Daybreak" (ARC Review)

Title: Deadgirl: Daybreak [on Amazon | on Goodreads]
Series: Deadgirl (4th of 5 books, but there's also a novella about a side character that is chronologically book 2.5 in the series - though best read after book 3 if you want to avoid a spoiler about its ending)
Author: B.C. Johnson [Site | Goodreads]
Genres: Afterlife, Supernatural, Urban Fantasy, Contemporary
Year: 2024
Age: 14+
Stars: 5/5
Pros: Imaginative plot. Unique, mind-blowing afterlife concept/visuals. Flawed yet lovable characters who manage to feel realistic in the middle of mayhem.
Cons: Very dark in places (though tempered with funny dialogue/inner monologue). More of a slow-burn than the previous installments. Features some questionable characters' choices.
WARNING! Horror, gore and heartbreak (both for the characters and the readers). Underage drinking. A couple of nudity/underage sex scenes (though not graphic/detailed, mostly happening offscreen). An instance of infidelity. An animal sacrifice. Lots of language.
Will appeal to: Those who love afterlife scenarios. Those who enjoy a mix of laughter and tears, action and strong feelings. Those who like brave, resourceful teens who don't pose as heroes.

Blurb: The final year of high school approaches, and Lucy is ready to break. Too many of her friends have died. Too many monsters have taken their bite. And now Lucy must face her greatest challenge of all: the end of everything she knows. With high school disappearing and the world before her, Lucy must make her choice on what's to come. But with the rise of an old enemy who's been stalking her for three years - and a rapidly dwindling supply of allies - can Lucy even make it to graduation? And more importantly, does she want to? (Amazon excerpt)

Review: First off...DISCLAIMER: I received this novel from the author in exchange for an honest review. And the author being B.C. Johnson, you all know I've been campaigning for his first Deadgirl book with all my might since 2013, when I read the original version. Also, B.C. Johnson and me have stayed in touch, if sporadically, for the whole time. I'm not what you would call a friend of his though, only a fan of his work. And an unbiased one. As usual, this review is the love child of my penchant for quirky, uniquely worded books and B.C. Johnson's ability to deliver them.

THE LONG GAME

Seven years have passed since the last Deadgirl installment (or six, if you count the Daphne novella in 2018...not like one year makes a huge difference), but B.C. Johnson hasn't lost his touch. It's funny, because Daybreak is a bit of a slow burn compared to the other books in the series, especially since the first 100 pages include lots of domestic scenes (if a funeral can be considered "domestic", but you know what I mean) and the main plot seems to revolve around the protagonists' alliance with a certain faction, which isn't my favourite thing to read about. But all this turns out to be a necessary premise to the most exciting (and heartbreaking...and heartwarming - usually, with Johnson, the two go hand in hand) part of the story. Which is why, upon turning the last page, I went back and reread the whole thing, and enjoyed the hell out of it. It doesn't hurt that the afterlife where Lucy has been spending lots of her time since becoming a (still very human) phantom is everything I - the afterlife junk - crave for in a story and more. The Grey is imaginative, visually stunning, almost videogame-like at times, teeming with danger yet interspersed with pockets of love (literally) and beauty. Plus, hands down home to the best scenes in the book - and the most poignant. [...]

Rebekah Bergman: "The Museum of Human History" (ARC Review)

Title: The Museum of Human History [on Amazon | on Goodreads]
Series: None
Author: Rebekah Bergman [Site | Goodreads]
Genres: Sci-Fi, Contemporary
Year: 2023
Age: 18+ (but it can be read by mature teens)
Stars: 4/5
Pros: Original, poetical, compassionate.
Cons: As with most books with a large cast, it's hard to get attached to all its characters.
WARNING! Drowning (off-page). Death by cancer (off-page).
Will appeal to: Those who like a deep, yet accessible meditation on the meaning of time and memory.

Blurb: After nearly drowning, eight-year-old Maeve Wilhelm falls into a strange comatose state. As years pass, it becomes clear that Maeve is not physically aging. A wide cast of characters finds themselves pulled toward Maeve, each believing that her mysterious “sleep” holds the answers to their life’s most pressing questions. As Maeve remains asleep, the characters grapple with a mysterious new technology and medical advances that promise to ease anxiety and end pain, but instead cause devastating side effects. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to W.W. Norton/Tin House Books for providing a temporary ecopy. This didn't influence my review in any way.

ORGANIC PALETTE

I have to be honest: given the premise (the comatose little girl who doesn't age), I expected this book to be more on the magical-realism side, which...it really isn't. Anyhow, there's an element of fabulism in Bergman's storytelling that almost makes me vary of using the sci-fi label for this novel, though it incorporates futuristic technology and ultimately revolves around a certain scientific breakthrough (which, conversely, will end up causing devastating outcomes). I think the best way to describe TMOHH is speculative fiction, yet rendered with a poetical tone, and at the same time set against the realistic backdrop of very human feelings like pain, regret and fear - of losing our memories and the version of ourselves that we've gotten most attached to, and of departing this world without leaving a mark on it, or at least having someone who'll remember us when we're gone. [...]

Sam Beckbessinger & Dale Halvorsen: "Girls of Little Hope" (ARC Review)

Title: Girls of Little Hope [on Amazon | on Goodreads]
Series: None
Author: Sam Beckbessinger & Dale Halvorsen [Sam's site | Sam on Goodreads | Dale's site | Dale on Goodreads]
Genres: Thriller/Mystery, Sci-Fi, Contemporary
Year: 2023
Age: 14+ (please note: this is dark YA - you may want to take a look at the WARNING! section)
Stars: 4.5/5
Pros: Realistic teen characters/relationships. Bold twist on a classic horror trope.

Cons: Requires suspension of disbelief both about the twist and the way a pivotal problem gets fixed.
WARNING! Death (animal death too...sort of). Blood, gore and violence. Body horror. Bug horror. Burns. Self-harm. Domestic abuse. Trans-generational trauma. Underage sex. Pregnancy scare.
Will appeal to: Those who like Nova Ren Suma's brand of female teen protagonists, Stephen King's brand of horror and Christopher Pike's brand of weirdness.

Blurb: Being fifteen is tough, tougher when you live in a boring-ass small town like Little Hope, California (population 8,302) in 1996. Donna, Rae and Kat keep each other sane with the fervour of teen girl friendships, zine-making and some amateur sleuthing into the town’s most enduring mysteries: a lost gold mine, and why little Ronnie Gaskins burned his parents alive a decade ago. Their hunt will lead them to a hidden cave from which only two of them return alive. Donna the troublemaker can’t remember anything. Rae seems to be trying to escape her memories of what happened, while her close-minded religious family presses her for answers. And Kat? Sweet, wannabe writer Kat who rebelled against her mom’s beauty pageant dreams by getting fat? She’s missing. Dead. Or terribly traumatised, out there in the woods, alone. As the police circle and Kat’s frantic mother Marybeth starts doing some investigating of her own, Rae and Donna will have to return to the cave where they discover a secret so shattering that no-one who encounters it will ever be the same. (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Titan Books for providing a temporary ecopy. This didn't influence my review in any way.

PUSHING THE LIMITS

Here's a fact for you: teen horror is on a roll, and has been for a while now. I think the main reason is that YA horror authors have taken to use the genre (and in this particular case, its tropes) to frame and enhance coming-of-age stories with tridimensional and compelling protagonists - an art that (most) YA thriller writers haven't mastered yet, at least in my experience. Girls of Little Hope is an excellent example of this genre-blending attitude: it starts off like a mystery, then adds a strong layer of teen characterisation, and ultimately punches you in the face with a familiar, but nonetheless unsettling horror trope, only to twist it into something that ties in with the characters' arc (call it a rite of passage if you will, though of a brutal and decidedly peculiar sort). [...]

Adrienne Celt: "End of the World House" (ARC Review)

Title: End of the World House [on Amazon | on Goodreads]
Series: None
Author: Adrienne Celt [Site | Goodreads]
Genres: SPOILER - click on the Spoiler button below if you want to know, since revealing the genre(s) would ruin your reading experience...If you want to go into the book without knowing anything vital about it, I recommend not reading the Labels at the end of my review either. No need to worry though - the review itself will be spoiler-free...
Year: 2022
Age: 14+ (I shelved it as Adult because of the characters' age, and it's definitely got more of an adult appeal, but it can be read by teens)
Stars: 4.5/5
Pros: Unique, surprising, gorgeously written.
Cons: A few occurrences remain unexplained. Mainly, for a story about female friendship, it ultimately plays into men's hands too much...
Will appeal to: Those who like a Groundhog-Day-meets-Sliding-Doors scenario with a soft-apocalypse background.

Blurb: Bertie and Kate have been best friends since high school. Kate has recently decided to move from San Francisco to Los Angeles. When Bertie’s attempts to make Kate stay fail, she suggests the next-best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. One night in Paris, they meet a strange man in a bar who offers them a private tour of the Louvre. The women find themselves alone in the museum, where nothing is quite as it seems. Caught up in a day that keeps repeating itself, Bertie and Kate are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. In order to make her way back to Kate, Bertie has to figure out how much control she has over her future - and her past - and how to survive an apocalypse when the world keeps refusing to end. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Simon & Schuster for providing a temporary ecopy. This didn't influence my review in any way.

THE ART OF MYSTERY

End of the World House is a very difficult book to review without giving away too much (you might think that "Groundhog Day meets Sliding Doors" is a huge enough clue, except it doesn't even begin to cover what happens in the story, and how/why for that matter). For that reason, this is going to be a less structured review than my usual ones. The best thing I can do with a book like this is make a bullet list of what I loved about it (or loved less) and why:

• It's a unique concept (or a unique blend of different concepts with a twist).
• It's a fascinating mystery, or the first section is (then again, you don't get all the answers until the end, especially the ones about Bertie's friend Kate, so it never really stops being fascinating). You keep trying to crack it, and at the same time you find yourself being swept away and enjoying the ride.
• It's a story about a messy female friendship - mind you, not your usual catty one - where at least one of the parts involved is a bit too dependent on the other for her own good (which hit close to home for me). Then again, at one point Celt implies that Bertie's feelings for Kate may be a little more complicated than (partly unrequited) friendship...and I got that vibe myself.
• It's a story steeped in art, where on the one hand the Louvre is not only a (magical and atmospheric) setting, but almost a character in itself, while on the other Bertie's graphic-novel-in-the-making is given the same amount of attention (and respect) than the famous paintings in the most iconic museum in the world are. Her drawings sort of come alive on the page, too.
• There's a completely believable "soft apocalypse" in the background, one where the elite keeps maintaining a degree of privilege, but which still creates an undercurrent of uneasiness and melancholy. You find yourself buying into the idea that the world is more likely to end with a whimper than with a bang.
• The writing is gorgeous and very quotable. [...]

Louis Greenberg: "Exposure" (ARC Review)

Title: Exposure [on Amazon | on Goodreads]
Series: None
Author: Louis Greenberg [Site | Goodreads]
Genres: Thriller/Mystery, Afterlife
Year: 2021
Age: 14+ (I shelved it as Adult because of the characters' age, but it can be read by teens)
Stars: 4/5
Pros: Original and haunting. Exquisitely written.
Cons: Instalove premise. The story takes a different turn than one anticipates, and albeit smart and poignant, it ultimately doesn't do the main character justice.
Will appeal to: Those who like mind games, spiritually wounded/doomed characters with a bit of a saviour complex, and an eerie quality in their books.

Blurb: In a Britain akin to this one, Vincent Rice falls off a ladder, literally at Petra Orff’s feet. They introduce themselves, and immigrant Petra senses a kindred spirit in Vincent’s complex sense of home. He offers to take her to Metamuse, an alternative theatre experience like no other that he won tickets to in a competition he doesn’t remember entering. The first show leaves them besotted with each other; the second is far more disturbing. Inexplicable occurrences pile on top of one another, all connected to the mysterious Metamuse. Only Petra can see the web of sinister coincidences surrounding them both and, with injustices both past and present weighing on her mind, she begins to wonder if Metamuse is more than just a show… (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Titan Books for providing a temporary ecopy. This didn't influence my review in any way.

LOVE, DEATH AND EVERYTHING IN BETWEEN

While deciding to request/buy a book - any book - is always a shot in the dark, even when there are reviews or excerpts available (which was not the case here), I have to admit I took a wilder chance than my average when picking this one. The blurb was pretty straightforward in hinting at an instant connection between the main character and a mysterious "falling man", and I usually try to stay away from books where the romantic plot is a main ingredient, especially when instalove is involved...but this one sounded really up my alley, especially since the Goodreads blurb (slightly different from the NetGalley/Amazon one) had a line about "Unquiet dead [who] seem to be reaching into the world to protest injustices both past and present". Now THAT got my attention - along with the ominous Metamuse of course.

Now I'm really glad I decided to request Exposure, because I ultimately got a spooky, disquieting, overall unique story where the romance - if integral to it - went hand in hand with themes such as family, social identity (Petra is a half South-African, half English immigrant; Vincent - while UK born and bred - is of Malawian descent), one-of-a-kind psychological manipulation, and of course death (and/or un-death). I wasn't familiar with immersive theatre or "autoteatro", but I loved how it was incorporated into the plot (both via Petra's experiences and journalist Rose's first-hand reports), and I enjoyed the spine-chilling twist Greenberg managed to put on it. I also found the writing exquisite without being flowery, and the characterisation and sense of place pretty strong. [...]

Natalie D. Richards: "Seven Dirty Secrets" (ARC Review)

Title: Seven Dirty Secrets  [on Amazon | on Goodreads]
Series: None
Author: Natalie D. Richards [Site | Goodreads]
Genres: Thriller/Mystery
Year: 2021
Age: 14+
Stars: 3/5
Pros: Tight, evenly-paced story where the tension never lets up. Explores an abusive teen relationship. Features racial diversity among half-siblings.
Cons: Not terribly original if you've read a number of both teen and adult thrillers. Some characters feel a bit underdeveloped.
WARNING! Physical abuse. Drowning. Guilt feelings.
Will appeal to: Those who like a fast-paced, puzzle-ridden cat-and-mouse chase with a role reversal.

Blurb: On her eighteenth birthday, Cleo receives a mysterious invitation to a scavenger hunt. She's sure her best friend Hope or her brother Connor is behind it, but no one confesses. And as Cleo and Hope embark on the hunt, the seemingly random locations and clues begin to feel familiar. In fact, all of the clues seem to be about Cleo's dead boyfriend, Declan, who drowned on a group rafting trip exactly a year ago. And then the phone calls start, Declan's voice taunting Cleo with a cryptic question: You ready? As the clock on the scavenger hunt ticks down, it becomes clear that someone knows what really happened to Declan. And that person will stop at nothing to make sure Cleo and her friends pay. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Sourcebooks Fire for providing a temporary ecopy. This didn't influence my review in any way. Also, fun fact: as of today, the Goodreads synopsis identifies Cleo's boyfriend as "Cyrus" instead of "Declan". I assume that it was his name in a previous draft.

SAVORY STAPLES

In theory, I love mysteries, but I rarely request or buy one (whether YA or adult), because having been raised on a diet of Agatha Christie, Ellery Queen and the like (not to mention, being a Christopher Pike fan) it's difficult for me to read a blurb and get the feeling that the book in question might tell me something new - or be a fresh take on an old trope. And even when I cave in and request/buy the book, it's difficult for me to be impressed. So, take my review with a grain of salt, because I'm a seasoned reader of classic and semi-classic mysteries, and I might be looking for a thrill that is difficult to replicate.

Seven Dirty Secrets isn't a bad book by any means, though I wish it had been MORE. There's a scavenger hunt (who doesn't love those?) with high stakes involved; a (racially diverse) sibling relationship that's central to the plot; and a protagonist with an interest in forensics and a history of abuse at the hands of her boyfriend, still scarred (in more than a way) by her past, and now forced by an unknown stalker to confront it once and for all. The pacing is all right, steady without being too frantic, with lots of tense scenes, the right amount of flashbacks and a nice side of clues or supposed ones. I must admit that until the end I wasn't sure about the culprit, though some of the clues sounded too much like false flags, and some of the characters, despite the author's setting them up as suspects, didn't really have a motive that I could fathom. [...]

Karen Foxlee: "The Midnight Dress"

Title: The Midnight Dress [on Amazon | on Goodreads]
Series: None
Author: Karen Foxlee [Site | Goodreads]
Genres: Thriller/Mystery, Contemporary
Year: 2013
Age: 14+
Stars: 5/5
Pros: Atmospheric read, with characters who get under your skin. Evocative writing.
Cons: Quiet (if gloomy) story, where not much happens - at least on the surface.
WARNING! Description of a dead body (not graphic). Suicide by hanging. Alcohol addiction. An inappropriate relationship. The prelude to a would-be sex scene. A couple of male anatomy references.
Will appeal to: Those who can appreciate a subtly woven, darkly magical tale.

Blurb: Quiet misfit Rose doesn't expect to fall in love with the sleepy beach town of Leonora. Nor does she expect to become fast friends with beautiful, vivacious Pearl Kelly. It's better not to get too attached when Rose and her father live on the road, driving their caravan from one place to the next whenever her dad gets itchy feet. But Rose can't resist the mysterious charms of the town or the popular girl, try as she might. Pearl convinces Rose to visit Edie Baker, once a renowned dressmaker, now a rumored witch. Together Rose and Edie hand-stitch an unforgettable dress of midnight blue for Rose to wear at the Harvest Festival - a dress that will have long-lasting consequences on life in Leonora, a dress that will seal the fate of one of the girls. (Amazon excerpt)

Review: This is not only a reread book (which is usually the case when I write a full review), but a re-reread one. And I ended up giving it the full 5-star treatment (I originally rated it 4.5 in my 2018 mini-review), because even if not much happens, the story, the characters and the overall magic never get old for me. Also, just so you get your bearings: the story is set in 1986, in a small Australian beach town.

THE HEART OF THE MATTER

This is one of those quiet books where - despite a murder (and a murder mystery at that) being at its center, and a suicide occurring later in the story - it feels like nothing happens...except there's a lot boiling down the surface. I wouldn't even go as far as to say that it's character-driven, though some of the characters do stand out. The best way I can describe it is, it's magic-driven...and no, I don't mean magical realism. It's just that the atmosphere, the protagonist, the dressmaker's family tale, the (spellbinding) writing, all together create a thing of beauty, sad and melancholic, and yet warm and cozy like an old blanket. The mystery itself isn't hard to figure out, even if until the end there's an ambiguity about the perpetrator...but not about the victim, not anymore - if there ever was, because to me, it was clear early on which of the girls was killed...and then again I don't think that her identity was the point: it was more about how she ended up there. What I mean is, for a murder-mystery-centered book, TMD reads awfully (or, well, beautifully) like a mesmerising story about family and friendship, memories and choices, and about how love won't necessarily save you but can damn you instead. [...]

Andrea Contos: "Throwaway Girls" (ARC Review)

Title: Throwaway Girls [on Amazon | on Goodreads]
Series: None
Author: Andrea Contos [Site | Goodreads]
Genres: Thriller/Mystery, Contemporary
Year: 2020
Age: 14+
Stars: 3.5/5
Pros: Tense and intense. Doesn't employ the classic "mean girls" trope all too often included in the YA thriller package.
Cons: Requires some suspension of disbelief, especially when it comes to the lack of consequences for the final showdown (that doesn't seem to impact the characters much, by the way).
WARNING! Killings/dead characters. Underage drinking, smoking and drug use.
Will appeal to: Those who are looking for a fresh approach to teen thrillers.

Blurb: Caroline Lawson is three months away from graduation day. That's when she'll finally escape her rigid prep school and the parents who thought they could convert her to being straight. Until then, Caroline is keeping her head down, pretending to be the perfect student even though she is heartbroken over the girlfriend who left for California. But when her best friend Madison disappears, Caroline feels compelled to get involved in the investigation. Caroline has some uncomfortable secrets about the hours before Madison disappeared, but they're nothing compared to the secrets Madison has been hiding. And why does Mr. McCormack, their teacher, seem to know so much about them? It's only when Caroline discovers other missing girls that she begins to close in on the truth. Unlike Madison, the other girls are from the wrong side of the tracks. Unlike Madison's, their disappearances haven't received much attention. Caroline is determined to find out what happened to them and why no one seems to notice. But as every new discovery leads Caroline closer to the connection between these girls and Madison, she faces an unsettling truth. (Amazon excerpt)

Review: First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to Kids Can Press for providing a temporary ecopy. This didn't influence my review in any way.

TOGETHER WE STAND

I'm always on the lookout for a good YA thriller that doesn't employ the usual "all against all" or "you can't trust literally anybody" plot device, and even more than that, the old "mean girls" trope. For some reason, it seems that, in this genre, catty classmates and petty fights are a must - and of course, there's nothing wrong with them if you like that kind of narrative, but I don't enjoy it at all. Throwaway Girls sounded like the happy exception to the above rules, and I'm happy to report it delivered - though some late mistrust between friends ensued, and painful secrets were uncovered along the way...but without any of them, there would likely be no mystery at all 🤷‍♀️. It was refreshing how certain secondary and even minor characters were able to take on a real supporting role, though I'm not saying that none of them had ulterior motives. It was especially refreshing that girls were sticking for each other - at least some of them - and that, despite its focus being the disappearance of a privileged white girl, the story also brought to the forefront the "invisible ones" most people give up on (though, to be honest, at first they were mostly instrumental in finding Caroline's friend - but she ended up genuinely caring for them). [...]

'Nathan Burgoine: "Exit Plans for Teenage Freaks"

Title: Exit Plans for Teenage Freaks [on Amazon | on Goodreads]
Series: None (or, none planned, though on Goodreads the author mentioned having "rough scratch notes" for one)
Author: 'Nathan Burgoine [Site | Goodreads]
Genres: Paranormal, Contemporary
Year: 2018
Age: 14+
Stars: 3.5/5
Pros: Inclusive/intersectional, funny, with refreshingly wholesome family/friend dynamics.
Cons: The paranormal aspect is a bit underdeveloped. Not all the lead's friends get the same screen time.
Will appeal to: Those who are in for a queer romance/paranormal/action combo.

Blurb: Being the kid abducted by old Ms. Easton when he was four permanently set Cole’s status to freak. At seventeen, his exit plan is simple: make it through the last few weeks of high school with his grades up and his head down. When he pushes through the front door of the school and finds himself eighty kilometers away holding the door of a museum he was just thinking about, Cole faces facts: he’s either more deluded than old Ms. Easton, or he just teleported. Now every door is an accident waiting to happen -especially when Cole thinks about Malik, who, it turns out, has a glass door on his shower. When he starts seeing the same creepy people over his shoulder, no matter how far he’s gone, crushes become the least of his worries. They want him to stop, and they'll go to any length to make it happen. (Amazon excerpt)

Review: Karen @ For What It's Worth warned me this was more of a contemporary than a sci-fi (or, I'd rather say, paranormal) book, but I was intrigued, so I gave it a chance. It turns out I feel like she feels about this novel, but I don't regret reading it in the slightest - so please take my rating with a grain of salt, because there are so many things EPFTF does right, even if they aren't the ones I was looking for.

THE COLOURS OF LOVE

EPFTF is a funny and fresh adventure in teleporting, but to me, its strength lies in the sexual diversity and in the familial/friendly relationships. Cole (our lead) is gay, his love interest is bi (as one of his female friends is), and the whole Rainbow Club he's part of is brimming with representation, from ace members (or ex-members, but still friends with Cole...best friends actually...) to both pan and non-binary ones. Also, Cole's love interest is not only bi, but also Black, and Cole's father is deaf. Exit Plans isn't a diversity textbook though: all the kids manage to feel like real teenagers, not necessarily perfect, coming in different degrees of woke, thinking of...well...the things teens are wont to think about 😂 - but having much more than those on their minds, and always sticking up for each other. Also, the parent rep in this book is AWESOME. Though Cole keeps his newfound teleporting ability from his mum and dad (which is understandable...to a point), he's got a healthy relationship with them, and he's even thinking of following in his father's footsteps as an ASL interpreter. Plus, his parents are in love with each other, and always there for their son - an almost unheard-of thing in YA. [...]

Bethany C. Morrow: "A Song Below Water" (ARC Review)

Title: A Song Below Water  [on Amazon | on Goodreads]
Series: A Song Below Water (1st of 2 books - I'm editing this post after publication because now there's a companion book coming out in 2021)
Author: Bethany C. Morrow [Site | Goodreads]
Genres: Supernatural, Urban Fantasy, Contemporary
Year: 2020
Age: 14+
Stars: 3.5/5
Pros: Vividly depicts the Black women experience and how their voices keep getting silenced. Makes a strong case for found family in the form of sisterhood. 
Cons: The supernatural aspect, if engaging, gets confusing, with lots of different creatures thrown in with not enough context. The kids/parents dynamics are off.
Will appeal to: Those who crave for a magical adventure on the backdrop of the Black (female) reality - or the reverse.

Blurb: Tavia is forced to keep her siren identity under wraps in a society that wants to keep her kind under lock and key. At least she has her bestie Effie by her side as they tackle high school drama, family secrets, and unrequited crushes. But everything changes in the aftermath of a siren murder trial that rocks the nation; the girls’ favorite Internet fashion icon reveals she's also a siren, and the news rips through their community. Tensions escalate when Effie starts being haunted by demons from her past, and Tavia accidentally lets out her magical voice during a police stop. (Goodreads excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Macmillan-Tor/Forge for providing a temporary ecopy. This didn't influence my review in any way.
Note: this started as a buddy-read with my friend Lindsi from Do You Dog-ear? A little more than a third into the story, she realised she wasn't feeling it, while I - despite a few qualms - was engaged enough to read the whole thing, so we amicably parted ways 🙂.

PAINT IT BLACK

B.C. Morrow's YA debut has got a cool, engaging premise, in the form of Black sirens - which not only is a unique one as far as supernatural bookish tropes are concerned (though the TV show Siren does have Black merfolks), but also lends itself to a powerful social commentary about how Black women's voices are feared and/or silenced. And here's the thing: as a book about the Black female experience, ASBW hits the mark - which comes as no surprise, since it's an #ownvoices novel. The story touches upon a series of situations/themes such as the Black Lives Matter movement, being stopped by the police for no apparent reason, having to fly under the radar - more so because of a secret siren identity - or having one's hair touched without consent. By the way, there's also a hair-related plot point that I can't talk about - because it would be a giant spoiler - which ties in with Effie's typical Black hairdo, as much as being a siren ties in with Tavia's Black female voice.
Additionally, it was refreshing to read a book that centers on the friendship/sisterhood between two girls, though at first it sounds like Tavia is jealous of Effie (who has, for all purposes, being adopted into her family) and though she calls Effie her "play-sister", which sounds standoffish at best. But as the story progresses, we can see the love between these two girls, and how they support (and even complement) each other. These are the things that ASBW does best. [...]