Nadi Reed Perez: "The Afterlife of Mal Caldera" (ARC Review)

Title: The Afterlife of Mal Caldera [on Amazon | on Goodreads]
Series: None
Author: Nadi Reed Perez [Site | Goodreads]
Genres: Afterlife
Year: 2024
Age: 18+
Stars: 4/5
Pros: Creative, riotous yet soulful spin on a series of classic afterlife/rock lifestyle tropes. A love letter to hope and life from the other side of the veil.
Cons: Too focused on the ghostly sex and partying (though it comes with the worldbuilding, to an extent).
WARNING! Suicide/attempted suicide, drug use, alcoholism. Familial abuse, depression, hospital internment, infidelity/promiscuity, grief.
Will appeal to: Those who like life-affirming stories, coming-of-age narratives (even after death) and found families.

Blurb: Mal Caldera - former rockstar, retired wild-child and excommunicated black sheep of her Catholic family - is dead. Not that she cares. She only feels bad that her younger sister, Cris, has been left to pick up the pieces Mal left behind. While her fellow ghosts party their afterlives away at an abandoned mansion they call the Haunt, Mal is determined to make contact with Cris from beyond the grave. She enlists the help of a reluctant local medium, Ren, and together, they concoct a plan to pass on a message to Cris. But the more time they spend together, the more they begin to wonder what might have been if they'd met before Mal died. Mal knows it’s wrong to hold on so tightly to her old life. Bad things happen to ghosts who interfere with the living, and Mal can't help wondering if she’s hurting the people she loves by hanging around, haunting their lives. But Mal has always been selfish, and letting go might just be the hardest thing she's ever had to do. (Amazon)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Titan Books for providing a temporary ecopy. This didn't influence my review in any way.

NEW DIRECTIONS

I have to be honest: the synopsis set my expectations for a different story than the one I got, up to an extent. I figured Mal's attempt to communicate with her sister (and maybe her success in doing so) would be the main focus, along with Mal and Ren's (the medium) doomed love story. It turns out that I was right about the second thing (again, up to an extent) and wrong about the first, because this book encompasses so many more themes and situations - though it mostly boils down to coming to terms with one's own death, forgiving oneself and becoming part of a found family, plus helping the living to change their existence for the better. This could have resulted in a sappy (and fairly typical) tale, except the author made some interesting choices that gave enough of a spin to a series of familiar tropes and managed to keep the narrative sharper and rawer than it could have been. For one, Mal Caldera hadn't reached stardom status yet before she met her untimely death, and she was as flawed and selfish as they come (still is, at the start of her afterlife - though the good thing is, she's self-aware about it). Likewise, if the rest of the cast projects a cliché appearance at first, this soon enough makes room for surprises and unexpected twists (for all purposes, so does the story). The setting and worldbuilding (I'm talking about the afterlife-dimension-on-Earth here) are imaginative and well thought-out, and the ghosts' mythology is the right blend of familiar and fresh. [...]

Kelly Link: "The Book of Love" (ARC Review)

Title: The Book of Love [on Amazon | on Goodreads]
Series: None
Author: Kelly Link [Site | Goodreads]
Genres: Afterlife, Supernatural, Thriller/Mystery
Year: 2024
Age: 16+ (the protagonists are 18 and 17, and on the whole it's more of a NA book than a YA one...The dealbreaker here are the pretty graphic sex scenes, definitely more appropriate for an older audience, but I'm hesitant to call this an "adult" book because of the characters' age)
Stars: 5/5
Pros: Imaginative, inclusive, delightfully quirky. Populated by flawed, yet endearing characters who feel very real. Written in an apparently effortless, yet magical (and sometimes funny) prose.
Cons: Long (though never boring) - if you prefer your books to be on the shorter side. Contains brief but frequent bouts of (graphic) sex - if you'd rather read clean books.
WARNING! Some horror/gore. Death of a parent. Grief. Racism. Sexual content.
Will appeal to: Those who like a dark yet magical, cheeky yet tender small-town fantasy with coming-of-age themes.

Blurb: Laura, Daniel and Mo disappeared without trace a year ago. They have long been presumed dead. Which they were. But now they are not. And it is up to the resurrected teenagers to discover what happened to them. Revived by Mr Anabin - the man they knew as their high school music teacher - they are offered a chance to return to the mortal realm. But first they must solve the mystery of their death and learn to use the magic they now possess. And only two of them may stay. What they do not realise is their return has upset a delicate balance that has held - just - for centuries. (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Head of Zeus for providing a temporary ecopy. This didn't influence my review in any way.

I CONTAIN MULTITUDES

Every book whose synopsis promises dead/undead protagonists is guaranteed to have my attention - though I don't necessarily read all of them. But The Book of Love turned out to be much more than the story of three deceased teens who come back to life. For one, it encompasses a number of genres - building on its afterlife premise, it soon turns into a mystery, a supernatural fantasy with a magical-realism feel, and a strong coming-of-age narrative, while even incorporating a tongue-in-cheek, yet fond homage to romance novels. It's both dreamy and brutal, tender and acerbic, with messy characters you can't help but love and who feel like flesh and blood even when they're...something else. It's a love letter to music and writing. It touches upon/explores all kinds to familial bonds/relationships, even the strained ones (divorced/absent parents, sibling rivalries, your friends' friends whom you don't necessarily like). It's got queer and POC rep done right (also, "trans women are women" 👍), and it addresses racism in different forms (I particularly appreciated the discourse about publishing as a Black author in the typically white romance panorama. The book is set in 2014, but I'm afraid part of that still stands). At the end of the day, if this novel does incorporate a few familiar tropes (some of them slightly Buffy-adjacent), it spins them into an imaginative story that's much bigger than the sum of its parts. [...]

Scott Alexander Howard: "The Other Valley" (ARC Review)

Title: The Other Valley [on Amazon | on Goodreads]
Series: None
Author: Scott Alexander Howard [Site | Goodreads]
Genres: Contemporary with a Twist (with a prominent time-travel angle, but not of the Sci-Fi kind)
Year: 2024
Age: 18+ (there are two versions of the protagonist, teen and adult, and on the whole I would categorise the book as "adult" - also because we spend more time with the lead's adult version - but it's accessible to younger readers)
Stars: 4/5
Pros: Imaginative, heartfelt, thought-provoking twist on the time-travel trope.
Cons: Quiet, sometimes sad, sometimes harsh and gloomy. Also, please note: for unknown reasons (though according to someone on Goodreads, it may be due to a new trend???!!!) the ARC lacks any quotation marks or indications of direct speech (no idea about the finished copy). I was able to follow the characters' exchanges without any problem, but if that's something that bothers you, you've been warned. Not that I liked it, but it didn't impact my judgement or enjoyment of the story.
WARNING! Drowning, bullying, sexism, misogyny, abuse, corporal punishments.
Will appeal to: Those who enjoy narratives that play with time and what-ifs. Those who like to speculate about the relationship between cause and effect.

Blurb: Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she’ll decide who may cross her town’s heavily guarded borders. On the other side, it’s the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. When Odile recognizes two visitors she wasn’t supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he’s still alive in Odile’s present. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil’s top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to  for providing a temporary ecopy. This didn't influence my review in any way.

A DIFFERENT DRUMMER

In the modern publishing landscape, The Other Valley is one of a kind. You might call it a time-travel book, except there's no actual time travel involved, nor it is a sci-fi novel: as a matter of fact, it would be more accurate to call it a speculative book with a multi-temporal perspective, since the actual interaction of characters from different time planes is kept to a minimum (by the way, if you're wondering about the consequences, the worldbuilding in that regard allows for a clever and inventive solution). Also, Howard created a world that feels dated, yet he made sure not to suggest a particular time frame for the events he depicted (nor he hinted at a specific - if fictional - setting, though some of the characters' names and the title of "gendarme" would fit with the French-speaking areas of Canada, the author's country). Last but not least, there's no explanation whatsoever of the three-valley setup, and no reference to its connection - or lack thereof - with the world outside, and it's just as well. The events unfold inside of a closed system, a (not-so-magical) bubble that helps you suspend your disbelief and adds a sense of doom, caused not only by the lengths the valleys' authorities go in order to prevent the residents' future selves from changing their past, but also by the stagnant, melancholic feeling that pervades the valleys themselves, where there hardly seems to be a chance for the status quo to get altered even in the present. [...]

Krystal Sutherland: "House of Hollow"

Title: House of Hollow [on Amazon | on Goodreads]
Series: None
Author: Krystal Sutherland [Site | Goodreads]
Genres: Supernatural, Afterlife, Thriller/Mystery
Year: 2021
Age: 14+ (please note: this is dark YA - you may want to take a look at the WARNING! section)
Stars: 5/5
Pros: Unique twist on a well-known fantasy trope (I'm not mentioning it in order to avoid spoilers). Fascinating settings. (Mostly) satisfying characters. Evocative writing.
Cons: Potentially disturbing imagery. An instance of rape apology from the intended victim. An inappropriate kiss between a minor and her sister's boyfriend.
WARNING! Body horror/bug horror. Blood and gore. Death. Attempted rape. Murder. Drowning. Fire. Suicide (off page). Alcohol/drug abuse. Vomiting.
Will appeal to: Those who like dark, yet luscious stories with a supernatural mystery at their core.

Blurb: Seventeen-year-old Iris Hollow has always been strange. Something happened to her and her two older sisters when they were children, something they can’t quite remember but that left each of them with an identical half-moon scar at the base of their throats. Iris has spent most of her teenage years trying to avoid the weirdness that sticks to her like tar. But when her eldest sister, Grey, goes missing under suspicious circumstances, Iris learns just how weird her life can get: horned men start shadowing her, a corpse falls out of her sister’s ceiling, and ugly, impossible memories start to twist their way to the forefront of her mind. As Iris retraces Grey’s last known footsteps and follows the increasingly bizarre trail of breadcrumbs she left behind, it becomes apparent that the only way to save her sister is to decipher the mystery of what happened to them as children. The closer Iris gets to the truth, the closer she comes to understanding that the answer is dark and dangerous – and that Grey has been keeping a terrible secret from her for years. (Goodreads)

Review: This book has at least three different blurbs LOL. I picked the one I like most (and, I seem to remember, the original one), but mind you - it doesn't mention the third sister Vivi, who's an integral part of the story.

TERRIBLE BEAUTY

Even if, like me, you don't put much stock on covers, House of Hollow has a striking one, doesn't it? one that, back when the book came out in 2021, compelled me to look at the blurb and see what the story was about. And even after the aforementioned blurb piqued my interest, I have to admit that the cover had me a little nervous, especially since I can't tolerate bug horror on a visual level (though I fare better with it when it's used as a literary device). Yet, at the same time, I thought the art was beautiful. Well, that's House of Hollow for you: "sheer horror and sheer beauty joined at the hip", as I stated in the mini review I wrote after reading it for the first time. It's a novel of contrasts, except they end up merging, or complementing each other at the very least. It starts as magical realism with a sizeable amount of mystery (what happened to the Hollow sisters when they were kids? what is the strange power they seem to exert on people? and what happened to Grey, the one who embraced such power shamelessly and used it to her best advantage?), then takes a turn toward the supernatural and becomes darker and darker, and more and more disturbing...yet the lyrical, evocative writing makes a thing of beauty out of it. [...]

Sam Beckbessinger & Dale Halvorsen: "Girls of Little Hope" (ARC Review)

Title: Girls of Little Hope [on Amazon | on Goodreads]
Series: None
Author: Sam Beckbessinger & Dale Halvorsen [Sam's site | Sam on Goodreads | Dale's site | Dale on Goodreads]
Genres: Thriller/Mystery, Sci-Fi, Contemporary
Year: 2023
Age: 14+ (please note: this is dark YA - you may want to take a look at the WARNING! section)
Stars: 4.5/5
Pros: Realistic teen characters/relationships. Bold twist on a classic horror trope.

Cons: Requires suspension of disbelief both about the twist and the way a pivotal problem gets fixed.
WARNING! Death (animal death too...sort of). Blood, gore and violence. Body horror. Bug horror. Burns. Self-harm. Domestic abuse. Trans-generational trauma. Underage sex. Pregnancy scare.
Will appeal to: Those who like Nova Ren Suma's brand of female teen protagonists, Stephen King's brand of horror and Christopher Pike's brand of weirdness.

Blurb: Being fifteen is tough, tougher when you live in a boring-ass small town like Little Hope, California (population 8,302) in 1996. Donna, Rae and Kat keep each other sane with the fervour of teen girl friendships, zine-making and some amateur sleuthing into the town’s most enduring mysteries: a lost gold mine, and why little Ronnie Gaskins burned his parents alive a decade ago. Their hunt will lead them to a hidden cave from which only two of them return alive. Donna the troublemaker can’t remember anything. Rae seems to be trying to escape her memories of what happened, while her close-minded religious family presses her for answers. And Kat? Sweet, wannabe writer Kat who rebelled against her mom’s beauty pageant dreams by getting fat? She’s missing. Dead. Or terribly traumatised, out there in the woods, alone. As the police circle and Kat’s frantic mother Marybeth starts doing some investigating of her own, Rae and Donna will have to return to the cave where they discover a secret so shattering that no-one who encounters it will ever be the same. (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Titan Books for providing a temporary ecopy. This didn't influence my review in any way.

PUSHING THE LIMITS

Here's a fact for you: teen horror is on a roll, and has been for a while now. I think the main reason is that YA horror authors have taken to use the genre (and in this particular case, its tropes) to frame and enhance coming-of-age stories with tridimensional and compelling protagonists - an art that (most) YA thriller writers haven't mastered yet, at least in my experience. Girls of Little Hope is an excellent example of this genre-blending attitude: it starts off like a mystery, then adds a strong layer of teen characterisation, and ultimately punches you in the face with a familiar, but nonetheless unsettling horror trope, only to twist it into something that ties in with the characters' arc (call it a rite of passage if you will, though of a brutal and decidedly peculiar sort). [...]

Hannah Fergesen: "The Infinite Miles" (ARC Review)

Title: The Infinite Miles [on Amazon | on Goodreads]
Series: None
Author: Hannah Fergesen [Site | Goodreads]
Genres: Sci-Fi
Year: 2023
Age: 16+ (technically an adult book, but it can be read by mature and even younger teens)
Stars: 4.5/5
Pros: Inventive, heartfelt twist on the time-travel trope. Ode to the power of friendship and hope.
Cons: You have to buy into a specific branch of time travel in order to suspend your disbelief (click on the link at your own risk - it will spoil part of the fun...).
WARNING! Contains some violence and a dose of dark imagery (face scars, black blood, stabbing).
Will appeal to: Fans of Doctor Who (especially the Matt Smith era). People who know how to love ardently (and fight for what they love).

Blurb: Three years after her best friend Peggy went missing, Harper Starling is lost. All she has are regrets and reruns of her favorite science fiction show, Infinite Odyssey. Then Peggy returns and demands to be taken to the Argonaut, the fictional main character of Infinite Odyssey. But the Argonaut is just that...fictional. Until the TV hero himself appears and spirits Harper away from her former best friend. Traveling through time, he explains that Peggy used to travel with him but is now under the thrall of an alien enemy known as the Incarnate. Then he leaves Harper in 1971. Stranded in the past, Harper must find a way to end the Incarnate’s thrall...without the help of the Argonaut. And if Harper can’t find it in herself to believe - in the Argonaut, in Peggy, and most of all, in herself - she’ll be the Incarnate’s next casualty, along with the rest of the universe. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Blackstone Publishing for providing a temporary ecopy. This didn't influence my review in any way.

A DOCTOR IN THE HOUSE

Let's address the elephant in the room first: if the synopsis gives you strong Doctor Who vibes, it's intentional. Ferguson does pay homage to the iconic British show and its titular character in the form of the Argonaut, a time traveler who trades the Doctor's space vessel masquerading as a blue police box for his own spaceship disguised as a black muscle car (and occasionally a lime-green VW bus). However, despite taking its cue from the long-lived TV series, The Infinite Miles isn't anything like fan fiction made novel. The disillusioned and bitter Argonaut couldn't be more different from whatever incarnation of the Doctor (even troubled time-war-survivor Nine and grumpy post-regeneration Twelve) if he tried. And for all their parallels and (often clever and oblique) similarities, the novel puts a number of spins on its source material and creates its own independent mythology, while ultimately conveying the same message of hope and love (self-love, too) being the biggest weapons. Let's put it this way: if you're a Doctor Who aficionado, you'll gobble this book up. If you've never seen the show, but you like time-travel stories that span both the Earth and the stars, and sci-fi with a heart, you'll love The Infinite Miles nevertheless - and maybe pick up Doctor Who because of it. [...]

Lauren Karcz: "The Gallery of Unfinished Girls"

Title: The Gallery of Unfinished Girls [on Amazon | on Goodreads]
Series: None
Author: Lauren Karcz [Site | Goodreads]
Genres: Contemporary with a Twist
Year: 2017
Age: 14+
Stars: 4.5/5
Pros: Atmospheric, surprising, with a strong art commentary and a poignant coming-of-age message.
Cons: The side characters might use more depth. If you like spelled-out endings, you won't find one here.
Will appeal to: People who make art. People who don't, but want to peek into an artist's mind. People who like to read about a teen's family dynamics and personal growth. Most of all, people who crave for spellbinding books with a huge twist.

Blurb: Mercedes Moreno is an artist. At least, she thinks she could be, even though she hasn’t been able to paint anything worthwhile in the past year. Her lack of inspiration might be because her abuela is in a coma. Or the fact that Mercedes is in love with her best friend, Victoria, but is too afraid to admit her true feelings. Despite Mercedes’s creative block, art starts to show up in unexpected ways. A piano appears on her front lawn one morning, and a mysterious new neighbor invites Mercedes to paint with her at the Red Mangrove Estate. At the Estate, Mercedes can create in ways she hasn’t ever before. But Mercedes can’t take anything out of the Estate, including her new-found clarity. Mercedes can’t live both lives forever, and ultimately she must choose between this perfect world of art and truth and a much messier reality. (Amazon)

Review: This is a debut book, but you would never be able to tell. Also, this is a book with less than a thousand ratings on Goodreads, and that, my friends, is a crime. I hope that some of you will get inspired to pick it up and right a wrong after reading my review 😉.

MAGICAL LYRISM

Back when I started blogging, I didn't even know "what" magical realism was (which explains my "contemporary with a twist" label for certain books). Fast forward eight years, and it's become one of my favourite genres, second only to afterlife. What I'm trying to say is, though I wouldn't call myself a MR expert (whereas I claim the title for afterlife 😊), I've read a decent number of books in the category, and TGOUG is one of the most lyrical and exquisite I've ever encountered - plus one that pulled a huge twist on me (yep, this is a "contemporary with a twist" book after all, for more than one reason). I came for the magical mystery (which didn't disappoint - on the contrary, it was more exciting than I expected) and stayed for the art commentary and the teen experience with regard to family, love and life in general. [...]

Parker Peevyhouse: "Where Futures End"

Title: Where Futures End [on Amazon | on Goodreads]
Series: None
Author: Parker Peevyhouse [Site | Goodreads]
Genres: Sci-Fi
Year: 2016
Age: 12+
Stars: 4/5
Pros: Ambitious, with a premise that - while not exactly fresh - is used to greatest effect. Paints some vivid and intriguing (if scary) scenarios, all while telling a few interesting and interconnected stories.
Cons: You get to spend too little time with the characters to really get attached to them. The sci-fi/fantasy blend may not work for everyone.
Will appeal to: Those who like short stories connected in a broader framework. Those who like speculations about the future. Those who love technology but are also aware of the risks it entails.

Blurb: One year from now, Dylan develops a sixth sense that allows him to glimpse another world. Ten years from now, Brixney must get more hits on her social media feed or risk being stuck in a debtors' colony. Thirty years from now, Epony scrubs her entire online profile from the web and goes “High Concept.” Sixty years from now, Reef struggles to survive in a city turned virtual gameboard. And more than a hundred years from now, Quinn uncovers the alarming secret that links them all.  (Goodreads excerpt)

Review: As a rule, I'm not the biggest fan of short fiction - I need to spend more time with the characters and into a world in order to feel their pull. But short stories/novellas that connect in some way and are part of a bigger picture never fail to have me intrigued. It happened with Windows into Hell, and it happened again here...
 

WORLDS APART

Peevyhouse's debut has got a premise firmly rooted in science fiction, but at the same time, manages to bring lots of fantasy elements on the table. The gist of it: another world (called the Other Place) exists, overlapping with our own - a world that resembles a fantasy realm, completed with all its usual magic and darkness. At a certain point, it becomes possible to travel between the two worlds, though none (?) of the travellers can stay long because of a different - if slightly - physiology. Also, to cross over (well...to even glimpse at the Other Place) you need a strong vorpal (Dylan, the first character to visit the alternate world, starts using the Lewis Carrol' made-up word out of context, and it becomes canon through the years), which is, roughly, something akin to charisma and strong will rolled into one. This premise will probably sound familiar, except it takes a turn towards social commentary through five stories that span more than a hundred years, addressing the rise and fall of technology and the regression of the human race (especially in terms of women's rights) on the backdrop of an irreversible climate change. [...]

Rob Rufus: "The Vinyl Underground" (ARC Review)

Title: The Vinyl Underground [on Amazon | on Goodreads]
Series: None
Author: Rob Rufus [Site | Goodreads]
Genres: Contemporary, Historical
Year: 2020
Age: 14+
Stars: 3.5/5
Pros: Vivid portrait of an era. Teen protagonists who feel real. Focus on friendship and coming of age (though there's some romance involved). Music fuels the story.
Cons: Messy parent-child dynamics and conveniently clueless adults.  Some inconsiderate choices.
WARNING! Verbal and physical abuse (racially charged, for the most part). Unchallenged drug use. Underage drinking.
Will appeal to: Those who appreciate a story walking the line between teen adventure and social/historical commentary.

Blurb: During the tumultuous year of 1968, four teens are drawn together: Ronnie Bingham, who is grieving his brother's death in Vietnam; Milo, Ronnie's bookish best friend; Ramrod, a star athlete who is secretly avoiding the draft; and Hana, the new girl, a half-Japanese badass rock-n-roller whose presence doesn't sit well with their segregated high school. The four outcasts find sanctuary in The Vinyl Underground, a record club where they spin music, joke, debate, and escape the stifling norms of their small southern town. But Ronnie's 18th birthday is looming. Together, they hatch a plan to keep Ronnie from being drafted. But when a horrific act of racial-charged violence rocks the gang to their core, they decide its time for an epic act of rebellion. (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to North Star Editions/Flux for providing a temporary ecopy. This didn't influence my review in any way. Also, please note that this is an uncorrected proof - I was able to spot some (genuine) typos that are most likely not to find their way into the final version 🙂.
Fun fact: to match the book, all the headers for this review are US song titles from the '60s.

THE TIMES THEY ARE A-CHANGIN'

1968 was a pivotal year in most of the Western countries, but there's no doubt that the US - with the Vietnam war draft, the still very much current segregation and Martin Luther King's assassination - were one of the hottest spots at the time. And probably more than anywhere else, music - rock music - embodied the spirit of protest of the young generation, or at least their restlessness. Now, I'm in no position to know firsthand, but it seems to me that TVU captures the feeling perfectly - that of a nation losing its (mostly fake, apparent at best) innocence, and being forced to come of age. Against the backdrop of the draft scare and of his uncertainty about the future, Ronnie - along with his friends - finally sees the bigger picture, and realises that not taking a stand against injustice is just as bad as being part of it. Music itself, for him and the whole Vinyl Underground, become less of a hiding place or a cure for heartbreak, and more of a rebellion flag and a way to make a statement. But it also plays a key role in the story...a role that, of course, I'm not going to spoil 😉. [...]

Karen Healey: "When We Wake"

Title: When We Wake [on Amazon | on Goodreads]
Series: When We Wake (1st of 2 books)
Author: Karen Healey [Site | Goodreads]
Genres: Sci-Fi, Afterlife
Year: 2013
Age: 14+
Stars: 4.5/5
Pros: Strong characters with distinctive voices. Lots of (intersectional) diversity. On-point social/environmental commentary perfectly integrated into the story. Fast pace.
Cons: A few familiar tropes/premises.
WARNING! One brutal death. Mass murder of children.
Will appeal to: Readers who care about the state our world is in. Readers who like a thrilling yet romantic adventure. Beatles fans.

Blurb: Sixteen-year-old Tegan is just like every other girl living in 2027 - she's happiest when playing the guitar, she's falling in love for the first time, and she's joining her friends to protest the wrongs of the world. But on what should have been the best day of Tegan's life, she dies - and wakes up a hundred years in the future, locked in a government facility. Tegan is the first government guinea pig to be cryonically frozen and successfully revived. But the future isn't all she hoped it would be, and when appalling secrets come to light, Tegan must make a choice: does she keep her head down and survive, or fight for a better future? (Amazon excerpt)

Review: I'm ordinarily all for books without tropes, or employing as little of them as it's humanly possible - but sometimes an author can breath new life into an old concept, or make up for a familiar scenario with a great execution. Both things happen in When We Wake - hence my rating. (Also, for your information, this one is set in Australia, which is a nice change from your usual all-American scenario).

THE GOOD FIGHT

I was originally drawn to WWW because of its premise - a girl dying (well, almost), getting frozen and waking up a century later. Though I'm sure it's not a new concept, I've never seen it used in YA, and I was curious how it would pan out. But this book has a lot more to offer than a sci-fi/afterlife (or relife) crossover story. I was prepared for the huge SJW vibe, but got pleasantly surprised by the amount of diversity. The highest point of it is Bethari, a bisexual, hijabi teen hacker/aspiring journalist who befriends the main character Tegan. Oddly, while in 2128 Australia both Muslim and queer people seem to be perfectly integrated (and the government has gone to great lengths to minimise environmental problems, though a bit late), there's a cruel no-immigrant policy in place that struck too close to home, what with the current situation in Europe and the U.S. I loved how Tegan is not perfect - in her first life, she wasn't a true activist, but more like a follower of her friend Alex and her crush Dalmar - but she's inquisitive, and her heart is in the right place. She begins to question the real reason why she's been revived and its impact on society, while refusing to think of herself as an abomination, the way a certain religious cult does. She mourns her past life (that, for her, is only a day away), but embraces the perils that her new one hides under its facade if she doesn't stay down, and bravely fights for the right cause. [...]

Janet Tashjian: "For What It's Worth"

Title: For What It's Worth [on Amazon | on Goodreads]
Series: None
Author: Janet Tashjian [Site | Goodreads]
Genres: Contemporary with a Twist
Year: 2012
Age: 12+
Stars: 3.5/5
Pros: Nice coming-of-age story with authentic teenage voice and a classic rock soundtrack.
Cons: While middle-graders/younger teens are the best audience for this one, they're likely not to be familiar with most of the music featured, unless their parents (or grandparents?) exposed them to it.
Will appeal to: Youngsters dealing with first loves, complicated family dynamics and making sense of the world. Youngsters who can relate to loving music on a deep level. Adults who grew up with classic rock and are willing to read a well-crafted slice of teenage life set in the era.

Blurb: The year is 1971 and the place is Laurel Canyon, California. Quinn, a fourteen-year-old music "encyclopedia," writes a music column called "For What It's Worth" for his school paper. But Quinn's world is about to change when he is faced with helping a war dodger and must make some tough decisions. When he starts receiving cryptic Ouija board messages from Jim Morrison, Janis Joplin, and Jimi Hendrix (all members of the 27 Club), he knows he is in over his head. Fortunately for Quinn, his new girlfriend Caroline helps him get a grip and channel his inner self. (Amazon)

Review: This one is a bit of an odd fish, since it crosses the boundary between MG and YA, and yet it would be better appreciated by an adult with a basic knowledge of the music involved. I think it was what influenced my rating the most, because FWIW has a lot going for it. Also, please note: this particular review has been split in two parts only (instead of the usual three) because it would have been redundant to do otherwise. FWIW is a coming-of-age story as much as it's a story fueled by music, and those are the two aspects my review will focus on.

KEEPING IT REAL

I love how authentic Quinn's voice is. He's fourteen, never been kissed, passionate about music in a way that - alas - only a kid who grew up before the digital age can be. And self-absorbed (or lacking social awareness) in a way that rings completely true for a teen his age. He has an older female sibling with whom he entertains your classic love-hate relationship, but still leaning on the love side (though he probably would never admit it if not under torture). He's oblivious to what boils under his unbalanced family dynamic. And he's equally oblivious to the changes occurring around him, what with the Vietnam War seeping more and more into his idyllic suburban life. During the course of a few months though, all these things are about to change, for better or worse. As a coming-of-age story, Quinn's is well-executed and relatable, and the best thing is, it doesn't change the core of what he is (which would be an improbable feat, but it doesn't mean that a less skilled writer wouldn't have gone there). He makes mistakes and learns from them and becomes a better person, and this is the realest thing you can ask from a character. [...]

Jeri Smith-Ready: "Requiem for the Devil"

Title: Requiem for the Devil [on Amazon | on Goodreads]
Series: None
Author: Jeri Smith-Ready [Site | Goodreads]
Genres: Supernatural, Urban Fantasy
Year: 2001
Age: Adult
Stars: 4/5
Pros: Imaginative story with a foot firmly planted in the Devil's mythology. Well-balanced mix of evil, angst and humour. Non-graphic sex (if you don't like erotica).
Cons: Premise requires suspension of disbelief. A couple of incidents during Lucifer and Gianna's relationship, even more so. Demons crack a couple of rape jokes (one of them not aimed at women though). An animal gets killed.
Will appeal to: Supernatural lovers, even if not keen on romance. Romance lovers looking for the ultimate forbidden one.

Blurb: Set in modern-day Washington, D.C., Requiem for the Devil depicts the end of the Devil's ten-billion-year career. For the first time in his existence, Lucifer falls in love, and this event threatens to transform his identity and perhaps even his destiny. Gianna O'Keefe is the woman who drags him out of his ancient despair and points him toward possible salvation. Yet Lucifer's path from evil is neither straight nor smooth. Pursuing love means betraying his fellow fallen angels, the loyal friends who once followed him to damnation. Divine and infernal forces seem to conspire against his and Gianna's union. Lucifer's empire crumbles around him as he dares to defy the natural order and question his fate. (Amazon excerpt)

Review: You all know that I read very few adult books, and that even in YA (or the rare NA) I do my best to read books with none-to-minimal romance - and even less sex. I made an exception for Smith-Ready's novels though (well, this one and the WVMP Radio series so far, plus her YA standalone This Side of Salvation), because the premises were awesome...and the books lived up to them.
Fun fact: Jeri also writes romance under the pen name Avery Cockburn.

DEVIL MAY CARE

I went into this book with a thirst for the strange and deadly, so to speak. Some of my favourite books are the ones where characters defy natural laws (whether as undead, time travelers, alt-reality explorers, or supernaturally-powered entities) - so I didn't even mind that I had to sit through a love story to get that 😅. Now, on the one hand, the very idea that the Devil, after ten billion years, would fall in love for the very first time is preposterous. Plus, while Gianna is remarkable in more than a way, she didn't strike me as so unique that she might be the only creature in the whole world (and time) Lucifer could love. And yet...in the context of the story, and in Smith-Ready's capable hands (though this one was her very first book!), it worked for me. Yeah, me, the ultimate romance shunner. Of course, it helped that the prose was strong without being purple, and that the author made her research, delving into both the religious and the mundane visions/interpretations of the Devil's story (see the Acknowledgments section). And of course, novel-wise, the times were probably ripe for Lucifer to fall in love, since early on we're given hints that he's starting to get bored with same old, and deep down, he's itching for something more (not going to elaborate because SPOILER). So, you might infer that Gianna is the right woman at the right time in his ten-billion-year-old existence. Even though (or exactly because?), oops, she's catholic. [...]

LOVE IS HELL

In a different author's hands, maybe Gianna could have come across as a manic pixie dream girl - only with more depth than your usual ones - and Lucifer as your typical brooding (anti)-hero. But there's something in both that elevates them over trope status, and I think it's the mixture of introspection and humour which Smith-Ready endows them with - plus her firm handling of theological issues (or what I believe is a firm handle, because I'm not very knowledgeable when it comes to religion, so feel free to disprove me on that...though the author often weaves religious themes into her books - in the most open-minded of ways - so I'd bet she knows her stuff). I have to admit that parts of their relationship must be taken with more than a grain of salt (i.e., suspension of disbelief), and not only because he's the Devil (something Gianna is not even privy of till later in the story). There's an incident during their visit to the Grand Canyon that would probably have put an end to any sane relationship (at least, sane as far as the woman was concerned). And when Gianna finally faces the truth, there's another string of awkward moments (I can't be more specific because, again, SPOILER). Plus a lot of angst...for more than a reason. But, once again, the author manages to make you care for these two, and (except in a couple of instances) BELIEVE in them.

EVIL LAUGHTER

RFTD is not just a romance between the Devil and a mortal. There are a number of side characters, whether human (mainly Gianna's family) or taken straightly from Christian mythology (you could say they're Lucifer's own family), who get the story going and/or provide most of the comic (if evil-tinged) relief. Beelzebub, Mephistopheles, Belial, Moloch, Michael, Raphael - it's like watching an extended episode of Supernatural (except the show wasn't even on air yet when the book came out). I can't say if this novel would sit well with a true Christian (though, as I said, the author knows what she's talking about), the same way as I don't know how the show is received by observant viewers. I do believe that in the book there's at least an incident (so to speak) that would be hard for them to swallow, although it involves Lucifer and one of his comrades, so maybe they would overlook it.
On the whole, RFTD is a solid, well-written fantasy that you can enjoy whether you believe or not, oscillating between depth and humour, with an unconventional (if bizarre) romance and a satisfying (if not totally unexpected) ending. Which the author penned with a light, but beautiful touch, so there's that 🙂.

For more Adult books click here.

***

Note: this post is part of the Back to Black - Beating the Halloween Backlist series, an all-month event taking place every Tuesday of October 2018, featuring:
Thirteen Tales to Give You Night Terrors (Adult, Horror, Supernatural, Afterlife) by Troy H. Gardner et al. (Oct. 10th);
Shallow Graves (YA, Afterlife, Supernatural, Horror) by Kali Wallace (Oct. 17th);
Spellbound (YA, Supernatural, Thriller, Contemporary) by Christopher Pike (Oct. 24th);
Requiem for the Devil (Adult, Supernatural, Urban Fantasy) by Jeri Smith-Ready (Oct. 31st).

Janet McNally: "Girls in the Moon"

Title: Girls in the Moon [on Amazon | on Goodreads]
Series: None
Author: Janet McNally [Site | Goodreads]
Genres: Contemporary
Year: 2016
Age: 12+
Stars: 2.5
Pros: Lyrical writing. A love letter to New York and music.
Cons: Relies on a bunch of stereotypes when it comes to characters - even those who are relatable sound too refined to ring true. Conflicts get resolved too easily, or are ultimately glossed over. Both the setting and the music scene are painted with rounded edges, which detracts from believability. Not much happens. 
Will appeal to: Those who like quiet stories with a coming-of-age angle and a cute romance.

Blurb: Everyone in Phoebe Ferris’s life tells a different version of the truth. Her mother, Meg, ex-rock star and professional question evader, shares only the end of the story - the post-fame calm that Phoebe’s always known. Her sister Luna, indie rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the co-founder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago. But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits into this family of storytellers, and maybe even to continue her own tale - the one with the musician boy she’s been secretly writing for months. (Amazon excerpt)

Review: I thought this book would be the next Luna-C for me (WHICH YOU HAVE TO READ NOW, THANK ME LATER). Heck, both of them even have a main character named Phoebe (because, reasons) and a moon reference in the title/band name. Boy, was I wrong.

MEET CUTE

So, back in 2016, everyone and their dog was raving about this book. I mean, not literally EVERYONE, but those who had read an ARC were in rapture or something. The few who weren't mainly complained about the book being uneventful, which didn't sound like a big deal to me, since I can enjoy a quiet narrative, provided it's deep. And GITM seemed to qualify. This resulted in my 1) putting this book at the top of my TBR list and 2) ultimately purchasing a HARDCOVER copy, because I didn't want to wait till the paperback was released.
Now, I know part of my disappointment in GITM is due to great expectations gone sour. I can't honestly say it is a BAD book, and the writing is lyrical enough without getting purple - conversely, I would say that there's nothing overwritten or convoluted about it. But the thing is, I no longer have patience with books (or media in general) that perpetuate stereotypes or don't try to break ground in some way. For all its superficial pleasantness, GITM relies on characters and occurrences that we are very much familiar with, and doesn't seem to want to turn them upside down. So, what we ultimately get is a bland coming-of-age story, a too-cute-for-this-world romance, and a bunch of potentially dramatic (or wait, not really) situations/conflicts that either get resolved in a hour or two or are very much glossed over. [...]

Jordan Elizabeth et al.: "Darkscapes"

Title: Darkscapes [on Amazon | on Goodreads]
Series: None
Author: Jordan Elizabeth et al. [Site | Goodreads]
Genres: Sci-Fi, Fantasy, Thriller/Mystery
Year: 2017
Age: The anthology is geared to adults, but a mature teen can enjoy most of it. At least two of the stories feature teens/kids
Stars: 3.5
Pros: A bunch of often imaginative, at times surprising stories, covering a wide range of genres and eras.
Cons: On the other hand, maybe the collection is a tad too eclectic and lacks focus. Also, the quality spectrum varies from high to less impressive.
Will appeal to: Those who enjoy a wide selection of tales, some bolder than the others.

Blurb: Curiosity Quills Press explores yearning, regret, and fear with the Darkscapes Anthology - a spellbinding collection of dark fantasy, sci-fi, cyberpunk, horror, and detective fiction. Delve into worlds of terrible family secrets, unexpected doppelgängers, a home invasion on an alien planet, androids and assassins, places and people who aren’t as stable as they seem, frustrated musicians going to desperate lengths - and more. (Amazon excerpt)

Review: First off...DISCLAIMER: I received this anthology from Curiosity Quills in exchange for an honest review. To be more precise, I specifically requested a review copy. That didn't affect my opinion and rating in any way. Here goes... 

ON THE FENCE

Confession/disclaimer: when it comes to spinning a tale, short stories are not my favourite medium. Anthologies can be hit or miss for me. I requested this one because 1) I had previously read and loved another Curiosity Quills collection called Windows into Hell, and 2) I saw that Darkscapes featured a couple of authors whose novels I appreciate(d). All in all, I had a good time reading most of these stories (and the authors I mentioned above didn't disappoint), but honestly, I wasn't able to connect with all of them. I suppose this says more about me than about their quality though, in most cases. Anyway, there are a bunch of stories in here that mean more to me than the others, and a few of them actually went in unexpected directions. Here is what worked for me and what left me wanting more... [...]

Alison Goodman: "Singing the Dogstar Blues"

Title: Singing the Dogstar Blues [on Amazon | on Goodreads]
Series: None (but there's a companion short story/follow-up, The Real Thing, featured in the new edition of this novel, and first published in Firebirds Rising: An Anthology of Original Science Fiction and Fantasy. Also, here you can read the original story that later would morph and expand into STDB: One Last Zoom at the Buzz Bar. Note: don't let the original story scare you away from the book. They have very little in common...)
Author: Alison Goodman [Site | Goodreads]
Genres: Sci-Fi
Year: 1998
Age: 12+
Stars: 4.5/5
Pros: Full-fleshed, snarky, deliciously flawed, resourceful heroine. Adorable co-protagonist. Unconventional friendship. Lots of humour. Tackles themes of identity and gender/sexuality without making them "issues".
Cons: There's no use in racking your brain about the premise/reveal. It just is. Also, the smartest readers would probably solve one of the mysteries early on.
Will appeal to: Sci-fi fans 😉. Non sci-fi fans too, if they like humour, unusual pairings and coming-of-age stories.

Blurb: Seventeen-year-old Joss is a rebel, and a student of time travel at the prestigious Centre for Neo-Historical Studies. This year, for the first time, the Centre has an alien student: Mavkel, from the planet Choria. And Mavkel has chosen Joss, of all people, as his roommate and study partner. Then Mavkel gets sick. Joss quickly realizes that his will to live is draining away. The only way she can help Mavkel is by breaking the Centre's strictest rules - and that means going back in time to change history. (Amazon)

Review: Oh boy, another tough one. Because in this novel there are not one, but two mysteries - largely intertwined - and I shall make sure I don't spoil either of them for you. Shucks.

RIGHT ON TIME

First off: you don't have any prejudices about reading a book that is nearly 20 years old - do you? Well, maybe you don't, but come on...you regularly get distracted by new, shiny books, and/or new, shiny books that everyone and their hamster is reading - so what chances does a book written in 1998 have? Well...to its credit...I honestly don't think this particular book reads dated. It has a pretty strong timeless vibe to me. Which maybe should come as no surprise, since it deals with time travel ;D. Maybe a certain detail might have been written in a slightly different guise nowadays (more on this later), but all in all, STDB can easily be enjoyed by readers who weren't even born when it came out. Short book premise: Earth has developed time travel in the recent past, while Choria - Mavkel's planet - hasn't. For once, it's aliens who need human to teach them advanced technology. Cool, isn't it?

GENDER BENDER

I decided to give this book a try for two reasons: 1) time travel (my number-two obsession after dead-not-dead characters); 2) a supposed male/female friendship story (and an unusual one at that) without romantic undertones. I use the word "supposed" because it turns out that Mav (like Joss calls him) is not a "male" alien. "He" comes from a planet where both sexes coexist in the same body (though Chorian physiology remains a mystery through the book - see: the humorous description of Mav's bathroom), and he's actually referred to as "it" until he becomes Joss' partner in the time travel academy. Only then the two of them agree on using the male pronoun, for the following reasons: 1) the obvious one: "it" is a pronoun used for objects; 2) Joss - when Mav asks her - admits being the kind of gal who would choose a guy as a sexual/romantic partner...so Mav basically argues that, since they are a pair now, she might as well have a male (though, I'll add, totally platonic) partner. The whole thing would probably have been played out a little differently now - maybe (just my guess) Mav would have been addressed as "they/them". I don't know if this detail is enough to turn genderfluid readers off this book, but the thing is, there's no judgement or disrespect for "alternate" sexualities in STDB. Quite the contrary. For example, Joss' mother is bisexual, and her ex long-time female partner, Louise, has a new family with a same-sex lover; also, Louise and her new partner have a son thanks to a sperm donor, who is actually involved in his kid's life. Goodman even took the time to weave a heartfelt memorial to all the AIDS victims into her book. [...]