Mira Grant: "Overgrowth" (ARC Review)

Title: Overgrowth [on Amazon | on Amazon UK | on Goodreads] (Note: I got my copy from the UK-based publisher Daphne Press, so I'm using the UK cover and I'm linking to Amazon UK along with Amazon.com)
Series: None
Author: Mira Grant [Site* | Goodreads]
   *[Note: as I'm writing this review, the Mira Grant site hasn't been updated for a few years]
Genres: Sci-Fi
Year: 2025
Age: 18+ (but it can be read by mature teens)
Stars: 5/5
Pros: Fascinating, thought-provoking, refreshingly diverse (trans rep, Mexican-American rep).
Cons: The main conflict and the ending may feel problematic to some, depending on how one reads them. 
WARNING! Toddler death (on page), transphobia, death/violence/guns, blood and gore/vampirism, imprisonment, bug horror.
Will appeal to: Those who like first-contact narratives with a twist. Those who enjoy stories of outsiders and found families. Those who are fascinated by alt-biology scenarios.

Blurb: Since she was three years old, Anastasia Miller has been telling anyone who would listen that she's an alien disguised as a human being, and that the armada that left her on Earth is coming for her. Since she was three years old, no one has believed her. Now, with an alien signal from the stars being broadcast around the world, humanity is finally starting to realize that it's already been warned, and it may be too late. The invasion is coming, Stasia's biological family is on the way to bring her home, and very few family reunions are willing to cross the gulf of space for just one misplaced child. What happens when you know what's coming, and just refuse to listen? (Amazon)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Daphne Press for providing an ecopy. This didn't influence my review in any way.

PLANTED

In the vein of classics like Little Shop of Horrors, Invasion of the Body Snatchers and The Day of the Triffids, but with a huge twist (the point of view here is the alien's), Mira Grant's return to full-length fiction is a first-contact-meets-coming-of-age story packed with thought-provoking questions and social/cultural commentary. Set in a very near future (2031) over the span of a month, it chronicles the days preceding a plantlike alien armada's invasion of our planet, and the invasion itself, through the eyes of a hybrid character - alien in nature, human in appearance and by nurture - who both knows (and states) she's an alien and at times doubts she's deeply deluded...but mostly, simply, KNOWS. Then again, she has a lot of questions about herself and her origins, especially because more than thirty years have passed since when she allegedly fell on Earth and claimed the body of three-years-old Anastasia, and her people - who equipped her with a compulsion to announce their invasion plans - are taking their sweet time coming back for her. [...]

Philip Fracassi: "The Third Rule of Time Travel" (ARC Review)

Title: The Third Rule of Time Travel [on Amazon | on Goodreads]
Series: None
Author: Philip Fracassi [Site | Goodreads]
Genres: Sci-Fi, Thriller/Mystery, SPOILER - click on the Spoiler button below if you want to know, since revealing the other genre would ruin your reading experience...If you want to go into the book without knowing anything vital about it, I recommend not reading the Labels at the end of my review either. No need to worry though - the review itself will be spoiler-free...
Year: 2025
Age: 18+ (but it can be read by mature teens)
Stars: 4/5
Pros: Engaging variation on the time-travel trope, with a strong human angle and a transcendental core.
Cons: The side characters are slightly underdeveloped. The metaphysical interlude can feel disorienting.
WARNING! Plane crash, car crash, guns, blood and gore, loss of parents and a sibling, loss of a spouse, stillbirth, trauma, grief, implied misogyny.
Will appeal to: Those who prefer their time travel to be emotion-driven and not necessarily physical (or literal). Those who enjoy a philosophical twist to it.

Blurb: Scientist Beth Darlow has built a machine that allows human consciousness to travel through time - to any point in the traveler's lifetime - and relive moments of their life. An impossible breakthrough, but it's not perfect: the traveler has no way to interact with the past. After Beth's husband, Colson, the co-creator of the machine, dies in a tragic car accident, Beth is left to raise Isabella - their only daughter - and continue the work they started. Mired in grief and threatened by her ruthless CEO, Beth pushes herself to the limit to prove the value of her technology. Then the impossible happens. Simply viewing personal history should not alter the present, but with each new observation she makes, her own timeline begins to warp. As her reality constantly shifts, Beth must solve the puzzles of her past, even if it means forsaking her future. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Little, Brown Book Group UK/Orbit for providing a temporary ecopy. This didn't influence my review in any way.

EMOTIONAL VOYAGE

Time-travel stories are always entertaining and thought-provoking no matter what, but I was pleasantly surprised by the spin Fracassi put on the trope. As it turns out, you can produce an exciting specimen of time-travel narrative even by having your characters remain fixed in place and only be able to revisit moments of their past...at least if you up the ante by throwing a couple more ingredients into the mix (one of which shall remain unnamed, to avoid spoiling your fun), and ultimately allowing said characters a different kind of agency than the reader would expect. As much as the adventures of a person displaced in a different era or physically reliving the same day can be fun, there's something to be said for a more psychological - and in this case, even philosophical - approach to being untethered from your present. I know, I know...I'm being cryptic, but spoilers are just around the corner. Suffice to say, while Beth is a stationary character, the trips her consciousness makes (and the ones her late husband made before her) spin a twisty (and emotional) web while apparently warping her present - first in subtle ways, then with catastrophic consequences - and won't make you miss the thrill of "real" time travel. [...]

Kyrie McCauley: "Bad Graces"

Title: Bad Graces [on Amazon | on Goodreads]
Series: None
Author: Kyrie McCauley [Site | Goodreads]
Genres: Supernatural
Year: 2024
Age: 14+
Stars: 4/5
Pros: Atmospheric, adventurous, harsh yet tender, with characters who manage to avoid stereotypes and a fresh take on magic.
Cons: Not all characters are equally developed. You need to suspend disbelief for some of the mundane parts.
WARNING! (TW list provided by the author): body horror (reviewer's note: also involving bugs), drowning, suicide, bodily injury, bodily trauma, blood, child neglect, history of abuse; referenced but not on page: homophobia, statutory rape, eating disorders. This book may be uncomfortable for those with emetophobia. (More): alcohol abuse, arson, burns, suffocation, drowning, attempted suicide, animal death.
Will appeal to: Those who are in for an all-female survival (in more than one sense) narrative, with themes of found family, queer love, overcoming trauma and having each other's back.

Blurb: Using her sister’s grades and clean record, Liv starts to rewrite her story, winning a prestigious internship on a movie set filming in Alaska. Instead of a commercial flight, Liv finds herself on a luxury yacht alongside pop star Paris Grace, actress sisters Effie and Miri Knight, Olympic gymnast Rosalind Torres, and social media influencer Celia Jones. Just as the group starts to bond, a violent storm wrecks their vessel, stranding them on a slip of an island in the North Pacific Ocean. Among the threats of starvation and exposure, they learn there is a predator lurking in the forest, unlike anything they’ve seen before - until they begin to see it in themselves. Every injury they suffer on the island causes inexplicable changes in their bodies, transforming them bit by inhuman bit. With little hope for rescue and only each other as their final tether to humanity, can the girls endure the ominous forces at work on the island? Or will they lose themselves to their darker natures? (Amazon excerpt)

Review: In the vein of Wilder Girls (that I haven't read, but has a similar premise - though, based on the reviews I've read, a different backdrop and outcome), McCauley penned a Shakespeare-imbued, Tempest-inspired story - or more like, a nod to the play - that grows on you at every turn.

GIRLS UNITED

Upon starting this novel, I was just a tiny bit worried that I wouldn't click with the main cast (except for the protagonist), because the girls had the potential to present as vapid, entitled or catty at first, what with them being all high-profile (again, except for aspiring writer Liv). I decided to take the risk on account of the premise sounding so exciting, and I'm happy to report McCauley went for a different, refreshing angle right from the start. Turns out, none of the high-profile girls is vapid, entitled or catty, even if they're flawed somehow (then again, so is ordinary Liv). Female solidarity in the face of a male predator extends its tiny tendrils ever since they meet, and ultimately forges a strong web, not only because the girls end up stranded on an off-the-map island and have to look out for each other (speaking of which, Paris, Celia, Rosalind, Effie and Miri not only are rich and famous, but all go back a long way...and yet, they bond with Liv - one of them a bit more effectively than the others 😉). Last but not least. they all seem to value their craft over the popularity and money it entails (which is maybe a tad unbelievable, coming from a bunch of teens, but as I said, so refreshing that I was happy to buy into it). [...]

Mallory Pearson: "Voice Like a Hyacinth" (ARC Review)

Title: Voice Like a Hyacinth [on Amazon | on Goodreads]
Series: None
Author: Mallory Pearson [Site | Goodreads]
Genres: Supernatural, Contemporary
Year: 2025
Age: 14+ (technically a NA book, but it can be read by mature teens. See the WARNING! section though)
Stars: 5/5
Pros: Immersive, visceral, gorgeously written.
Cons: Quite dark, if ultimately hopeful.
WARNING! Blood and gore, sexual harassment, self-cutting (during a ritual), alcohol and drug abuse, vomiting, near-drowning, fire, death/animal death. On a psychological level: codependency, high-stakes competition, familial pressure.
Will appeal to: Those who feel a pull towards visual arts (especially painting). Those who love a story that crosses the space between all-consuming friendship and queer love.

Blurb: Art student Jo Kozak and her fellow classmates and best friends, Caroline, Finch, Amrita, and Saz, are one another’s muses - so close they have their own language and so devoted to the craft that they’ll do anything to keep their inspiration alive. Even if it means naively resorting to the occult to unlock their creativity and to curse their esteemed, if notoriously creepy, professor. They soon learn the horrible price to be paid for such a transgressive ritual. In its violent aftermath, things are changing. Jo is feeling unnervingly haunted by something inexplicable. Their paintings, once prodigious and full of life, are growing dark and unhealthy. And their journey together - as women, students, and artists - is starting to crumble. To right the wrong they’ve done, these five desperate friends will take their obsession a step too far. When that happens, there may be no turning back. (Amazon)

Review: First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to 47North for providing a temporary ecopy. This didn't influence my review in any way.

LEVEL UP

Eight months ago, I reviewed Pearson's debut novel We Ate the Dark. Despite the abundance of purple prose, I liked it quite a bit, noting that there was "a robust dose of lyrical writing peeking from under the sometimes intimidating similes" and that "Pearson has the makings of a good writer, if only she can rein those similes in a bit. Then again, this is a debut book, so maybe she still has to hone her craft" (the second quote comes from my reply to a fellow blogger's comment). It turns out I was right on both counts - and the Goodreads average rating agrees with me this time. On a content level, Pearson's sophomore novel draws on the same main theme of her debut ("female friendship and queer love and the liminal space between the two"), but ups the ante by setting her story in a small, yet competitive art college, and steeping it in codependency and obsession, both with the art and the friendship. In the same guise, though somehow in reverse - by way of subtracting instead of adding - the author sticks to the poetical, luscious writing she employed for her first novel, but prunes it of all the (often overdone) metaphors and craft her prose into a thing of beauty. The result is a terrific book (in more than one sense) that only goes to show how much Pearson has grown as a writer, while staying true to her signature style. [...]

Ryan La Sala: "Beholder"

Title: Beholder [on Amazon | on Goodreads]
Series: None
Author: Ryan La Sala [Site | Goodreads]
Genres: Supernatural, Thriller/Mystery
Year: 2023
Age: 14+
Stars: 4/5
Pros: Imaginative, ambitious, pull-no-punches. The writing flows effortlessly and draws you in.
Cons: Relies on two distinct supernatural threads that never really come together. The rom-com moments don't always fit the rest of the narrative.
WARNING! Death/parent death, murder/massacre, fire/fire injury, body horror/eye horror, impalement, strangulation, self harm/intrusive thoughts/suicidal ideation. And of course, giant spider-like creatures...
Will appeal to: Those who like creative eldritch horror with a healthy dose of gore. Those who don't mind a (queer) romance subplot in it.

Blurb: Athanasios “Athan” Bakirtzis has a secret: a hereditary power that allows him to rewind the reflection in any mirror, peering into its recent past. Superstitious Yiayia calls the family ability a curse, and has long warned him never to use it. After being invited to a penthouse soiree for New York’s art elite, Athan breaks his grandmother’s rule during a trip to the bathroom, turning back his reflection for just a moment. Then he hears a slam against the bathroom door, followed by a scream. Athan peers outside, only to be pushed back in by a boy his age. The boy gravely tells him not to open the door, then closes Athan in. Before Athan can process what’s happening, more screams follow, and the party descends into chaos. When he finally emerges, he discovers a massacre - and Athan's mysterious savior is nowhere to be found. Something evil is compelling people to destructive acts, a presence that’s been hiding behind Athan’s reflection his whole life, watching and biding its time. Soon, he’s swept up in a supernatural conspiracy that spans New York, of occult high societies and deadly eldritch designs. If beauty really is in the eye of the beholder, what can it do to us once it’s inside? (Goodreads excerpt)

Review: As of today, I've read all La Sala's books except Be Dazzled, because contemporary romance is not my thing. I really enjoyed his debut novel Reverie, and I flat-out loved The Honeys, so I was very excited to immerse myself in the world of Beholder, and I didn't expect anything short of brilliance from it. Which, on a level, I got...but I didn't love this book as much as the author's previous offerings. With that out of the way, let's get to the review proper...

QUITE A SIGHT

There's no denying it: Ryan La Sala knows how to write - and has quite the imagination, not to mention, a real flair for horror. He endows the protagonist of Beholder with a unique power (rewinding reflections in mirrors) that, while making for an exciting premise and a series of chilling scenes, at the same time ties in with themes of appearance vs. true self and perception vs. perspective. He amps up the nightmare by adding a second supernatural threat that you won't see coming - and a brilliant one at that - plus he draws on the Greek Evil Eye myth, though it's largely reimagined for the occasion. The story moves at a good pace, despite the romantic/comedic interludes - it even manages to incorporate a coming-of-age arc to no detriment of the horror, mystery, magic, conspiracy and action mix that makes up the bulk of the narrative. Oh, and of course, as always with La Sala, it's unapologetically queer, with a protagonist that identifies as pansexual and a gay (I suppose) love interest. Last but not least, the author employs an intriguing writing device: he alternates Athan's 1st-person-POV chapters with a series of mysterious 2nd-person-POV ones (though to be honest, they don't stay mysterious for long...it's easy to fathom whose perspective they're from, once a certain "incident" occurs). [...]

Melissa Caruso: "The Last Hour Between Worlds" (ARC Review)

Title: The Last Hour Between Worlds [on Amazon | on Goodreads]
Series: The Echo Archives (1st of 3 books)
Author: Melissa Caruso [Site | Goodreads]
Genres: Multiverse, Supernatural, Thriller/Mystery
Year: 2024
Age: 16+ (the characters are all adults, and the book is indeed marketed to adults, but it can be read by mature teens)
Stars: 4/5
Pros: Fresh take on the multiverse trope with strong world-building. Engaging characters. Honest motherhood-vs.-job perspective that still encourages women not to be reduced to the mother role.  The story leaves plenty of room for a new installment, but doesn't end on a cliffhanger.
Cons:  Things only start to get exciting when the characters plunge deeper into the layers of reality. A couple of twists are easy to figure out in advance.
WARNING! Blood, body horror, stabbing, fire, bugs.
Will appeal to: Those who enjoy modern fantasy, (deadly) alternate realities/time loops, enemies-to-lovers romances that don't swallow the plot, and new moms being badass.

Blurb: Star investigator Kembral Thorne has a few hours away from her newborn, and she just wants to relax and enjoy the year-turning party. But when people start dropping dead, she’s got to get to work. Especially when she finds that mysterious forces are plunging the whole party down through layers of reality and into nightmare. Most people who fall this far never return. Luckily, Kem isn’t most people. But as cosmic powers align and the hour grows late, she’ll have to work with her awfully compelling nemesis, notorious cat burglar Rika Nonesuch, for a chance to save her city - though not her night off. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to Little, Brown Book Group UK for providing a temporary ecopy. This didn't influence my review in any way.

STEPPING UP

I have to preface this review by saying I'm a huge fan of alternate realities and time loops, but I tend to like them more when they're encapsulated in a sci-fi or magical-realism context. I do read fantasy from time to time (low/contemporary/urban), but I have to be completely sold on the book's premise...which was the case with Caruso's take on multiverse, so I took a chance on it - and I'm so glad I did. Basically, the setting is a world similar to our own - albeit steeped in magic and giving off an early-20th-century vibe - except in this world twelve layers of reality exist: the root universe, or Prime, and its eleven Echoes, getting more and more grotesque and dangerous the farther you stray from their paradigm. While it took a bit for the story to get going (I understand that the world-building had to be established, and it makes sense that the main character would look for answers at the party before she faced the outdoors and their mind-bending horrors, but the first couple of Echoes were a tad lackluster), it ultimately found its footing and became exciting and addictive, piling up layers (ha!) of horror, mystery, action, romance, plus character development and more world-building. [...]

B.C. Johnson: "Deadgirl: Gravedust" (ARC Review)

Title: Deadgirl: Gravedust [on Amazon | on Goodreads]
Series: Deadgirl (5th of 5 books, but there's also a novella about a side character that is chronologically book 2.5 in the series - though best read after book 3 if you want to avoid a spoiler about its ending)
Author: B.C. Johnson [Site | Goodreads]
Genres: Afterlife, Supernatural, Urban Fantasy
Year: 2024
Age: 14+
Stars: 5/5
Pros: Imaginative plot. Excellent pacing. Emotional kaleidoscope. Flawed yet lovable characters who manage to feel realistic in the middle of mayhem.
Cons: Darker than the previous installments. A certain twist brings some issues with it.
WARNING! Horror, gore and heartbreak (both for the characters and the readers). Guns, knifes/swords, rats, fires/burns, vampirism (on people and animals, the latter off-page), eye and leg injury, near-drowning, suicide (off-page). Lots of language.
Will appeal to: Those who love peculiar undead protagonists. Those who enjoy a mix of cinematic action and strong feelings. Those who like brave, resourceful teens who don't pose as heroes, but are set on saving the world whatever the price (and manage to love a lot in the process).

Blurb: For Lucy and her friends, the end is here. The deals they've made have fallen apart, and their enemies prepare a final attack on everything Team Deadgirl holds dear. An army of monsters out of a nightmare arrives on their doorstep, but Lucy, Morgan, Zack, and Daphne are scattered, unprepared, and alone. When an old villain turns out not to be as dead as they appeared - which is sort of Lucy's thing - the team again faces the one girl they were never able to defeat. And she isn't just seeking revenge against Lucy. She's after something far worse. (Amazon)

Review: First off...DISCLAIMER: I received this novel from the author in exchange for an honest review. And the author being B.C. Johnson, you all know I've been campaigning for his first Deadgirl book with all my might since 2013, when I read the original version. Also, B.C. Johnson and me have stayed in touch, if sporadically, for the whole time. I'm not what you would call a friend of his though, only a fan of his work. And an unbiased one. As usual, this review is the love child of my penchant for quirky, uniquely worded books and B.C. Johnson's ability to deliver them.

EVERYTHING EVERYWHERE ALL AT ONCE

How do you review the last book in a saga you've been invested in for almost twelve years? How do you find the words to say goodbye to a world and a cast that you aren't, will never be ready to let go, and yet (you agree, you see the point) went out with a spectacular, incredibly satisfying bang? First thing first - Deadgirl: Gravedust is what every series ending should be: high-octane, twist-serving, and emotionally destroying, but in a good way. (Wait, is there a good way? You bet there is). In this last installment, Johnson puts every idea, mood, plot thread, side character (alive and dead) that have ever been incorporated into the story to fruition, which is an impressive feat in itself, and shows how he's been playing the long game all along, though the first Deadgirl was just a standalone novel with sequel(s) potential when it was published (well, the author had ideas for those sequels, but I don't know how structured at the time - what I know is, he changed a bunch of them during his writing journey. And yet...). Gravedust is a colossal showdown (not only because it could be a legit superhero blockbuster, only with teens), and it's a chorus line's last bow after a terrific performance, because all of this has been as much about Lucy - the girl who stubbornly refused to die on her first date - as it has been about all her friends and family and allies, in more ways than one. Whether a character in this book is alive or dead, just bruised or badly injured in the end - and regardless of their lives still being a work in progress, because of course they are, and clear-cut endings are a lie - we get closure about them, or as much closure as we can. And it's funny, and it's sad, and it's beautiful. [...]

Isabel Strychacz: "House of Thorns" (ARC Review)

Title: House of Thorns [on Amazon | on Goodreads]
Series: None
Author: Isabel Strychacz [Site | Goodreads]
Genres: Supernatural, Thriller/Mystery
Year: 2024
Age: 14+
Stars: 4/5
Pros: Fresh, atmospheric take on the haunted/magical/evil house trope. Engaging (if sometimes flawed) characters.
Cons: The first section is a bit lackluster. There's some confusion about the protagonist's age. The addiction theme is ultimately brushed aside.
WARNING! Grief, panic attacks, anxiety/PTSD, drug and alcohol abuse (offscreen), near-drowning, death of a parent who no longer lives with the family.
Will appeal to: Those who like creepy, but not downright gruesome stories. Those who enjoy sisterly dynamics and a pinch of childhood-friends romance. Most of all, those who are fond of mysterious houses and shifting realities.

Blurb: Five years ago, the Peartrees fled their home - the infamous ancestral Brier Hall - and never looked back. But her oldest sister went missing that night, and there’s been no sign of her since. In the aftermath, the Peartrees are traumatized and get by however they can. Lia’s remaining sister Ali says yes to any bad idea, and Lia tries so desperately to be the perfect daughter that it’s tearing her apart. But as the five year anniversary of the night they left nears, Lia begins seeing her missing sister everywhere. When Ali disappears with no warning except a cryptic phone call, Lia is sure she’s gone back to Brier Hall. Lia must go home one final time and face what haunts her in an effort to find her sisters and uncover the truth of her past. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Simon & Schuster Books for Young Readers (Simon Teen) for providing a temporary ecopy. This didn't influence my review in any way.

ON THE HOUSE

I've been reading so many supernatural (or in one case, multiverse) books with houses at their center lately, and yet each and every one of them has managed to bring something different (and creative) to the table. I can happily report that House of Thorns is no exception. I'll be honest...it's a bit of a slow burn, and at first I thought it was a fairly run-of-the-mill modern gothic story, but when the mystery about the house started to get unraveled, I was hooked. Told from teen and kid Lia's perspectives, with the interpolation of some chapters from Brier Hall's point of view (which is not a gimmick, but a narrative device that does add a pivotal angle to the story, plus it's really cool), House of Thorns is a novel that blurs the lines between the past and the present, the haunter and the haunted - and even the ultimately familiar trope at its core feels fresh and exciting (OK, a bit heartbreaking too) in this context. While on the surface a tale of (strained) sisterly relationships and childhood trauma, on a deeper level HOT is about the need to belong and to find someone who will fill our empty spaces, a need embodied by the emotional entanglement between a young woman and a house who loves her back - if in a twisted way. Which makes for a melancholic and creepy narrative that works very well with the supernatural, time-bending quality of the story and the sisterhood theme. [...]

Sarah Hollowell: "What Stalks Among Us"

Title: What Stalks Among Us [on Amazon | on Goodreads]
Series: None
Author: Sarah Hollowell [Site | Goodreads]
Genres: Supernatural, Contemporary
Year: 2023
Age: 14+
Stars: 4.5/5
Pros: Spectacular premise that delivers all along. Lots of (often literal) twists and turns. Powerful friendship dynamic. Fat rep. Addresses lots of important topics (see the WARNING! section).
Cons: A couple of plot points ended up being red herrings of sorts or getting no explanations.
WARNING! (TW list provided by the author): Physical, emotional, and psychological abuse; aspects of abuse including victim blaming, isolation, manipulation, and gaslighting; mental illness (depression, anxiety, PTSD), self-harm (cutting), death, violence (gunshots, stabbing, strangulation), gore and body horror.
Will appeal to: Those who are in for a time-looping supernatural mystery with a strong contemporary core.

Blurb: Best friends and high school seniors Sadie and Logan ditch their end-of-year field trip to the amusement park in favor of exploring some old, forgotten backroads. The last thing they expect to come across is a giant, abandoned corn maze. When they stumble on the corpses in the maze, identical to them in every way (if you can ignore the stab and gunshot wounds) they quickly realize they’ve not only entered this maze before, they’ve died in it too. A lot. And no matter what they try, they can’t figure out what - or who - is hunting them. (Amazon excerpt)

Review: I requested this book on NetGalley last year to no avail. It turns out that (regardless of my small following, that might very well have been the reason for the rejection) I was a potential champion for it all along, because I kept it on my radar, I ultimately read it all the same and I loved it! (It doesn't hurt that it matches my blog aesthetic so well LOL).

A-MAZE ME

You know that feeling when a book has got an exciting premise, except the story doesn't make it justice? Well, nothing of the sort happened here. What Stalks Among Us (genius title, BTW) delivered on all counts, keeping me on my toes with all the twist and turns of the plot and the setting alike. I was invested in the mystery and the outcome (plus other aspects that I'll talk about later), but regardless, navigating the maze was a ton of fun in itself, a never-ending source of surprises and exhilarating moments. Also, the maze had a timey-wimey quality that I dug a lot, with intersecting temporal planes and even a number of loops - not to mention, it sometimes reacted to its visitors' (or better, prisoners') presence in very specific ways. I have to admit that not every one of the labyrinth's peculiarities made complete sense (neither did its genesis - knowing what I know now, I would have expected something different than a corn maze at the very least): e. g., I'm not sure how two instances of the same character could coexist, since it seemed at odds with the premise, and Sadie's connection to the maze and the significance of the sheep skeleton were never explained (though I have a theory about the former...but then again, it's contradicted by what happened with another character). But on the whole, the worldbuilding was well-executed and full of interesting angles (and paths...and more angles...see what I did here? 😉). [...]

Brandon Jones: "Whirly World"

Title: Whirly World [on Amazon | on Goodreads]
Series: None
Author: Brandon Jones [Site | Goodreads]
Genres: Afterlife, Thriller/Mystery
Year: 2023
Age: 14+ (I shelved it as Adult because of the characters' age, and it's indeed marketed to that demographic, but it can be read by teens)
Stars: 5/5
Pros: Inventive, entertaining, humorous and emotional.
Cons: Due to the large number of characters, not all of them feel fully realised. The ending doesn't give all the answers.
WARNING! Drowning, fires, claustrophobic settings. We see a character collapse to death in a flashback.
Will appeal to: Those who love creative afterlife settings, carnival rides and accidental heroes.

Blurb: Theme-park blogger Jason Green is dead and his spirit is stuck inside Whirly World, his favorite place to be. What should be a dream come true turns into an abstract nightmare as Jason confronts malevolent forces trapping him there. Desperate to escape, he has to befriend the other ten ghosts inhabiting this afterlife, from a disgruntled hostess crushed under a revolving stage, to a bereft security guard that still thinks it's 1983, and combine their strange powers to dig up the park's mysterious past. (Amazon)

Review: First off...DISCLAIMER: this title was up for grabs on NetGalley (in the Read Now section). Thanks to Emet Studios (Brandon Jones) for providing a temporary ecopy. This didn't influence my review in any way.

FUN FAIR

Afterlife meets theme park with a side of superpowers and time loops, all wrapped in a mystery: a recipe for fun, though peppered with some emotional moments (what with the characters being, you know, dead). For one, the premise is creative and intriguing: eleven employees or patrons of a famous amusement park who died on its grounds find themselves trapped in a ghostly version of the same park. Among them is Jason, a theme-park blogger who in life was probably the biggest Whirly World fan, but isn't necessarily thrilled not to be able to leave the place for mysterious reasons - not to mention, he can't even remember how he died. He sets on exploring the surroundings (which leads to a series of frustrating discoveries - frustrating for him, but again, making for lots of fun on the reader's part), and one by one he runs into his fellow resident ghosts, which creates some amusing dynamics (since Jason has written about their deaths in his blog, and coming face to face with some of them brings out the fanboy in him, if for a moment. [...]

Nadi Reed Perez: "The Afterlife of Mal Caldera" (ARC Review)

Title: The Afterlife of Mal Caldera [on Amazon | on Goodreads]
Series: None
Author: Nadi Reed Perez [Site | Goodreads]
Genres: Afterlife
Year: 2024
Age: 18+
Stars: 4/5
Pros: Creative, riotous yet soulful spin on a series of classic afterlife/rock lifestyle tropes. A love letter to hope and life from the other side of the veil.
Cons: Too focused on the ghostly sex and partying (though it comes with the worldbuilding, to an extent).
WARNING! Suicide/attempted suicide, drug use, alcoholism. Familial abuse, depression, hospital internment, infidelity/promiscuity, grief.
Will appeal to: Those who like life-affirming stories, coming-of-age narratives (even after death) and found families.

Blurb: Mal Caldera - former rockstar, retired wild-child and excommunicated black sheep of her Catholic family - is dead. Not that she cares. She only feels bad that her younger sister, Cris, has been left to pick up the pieces Mal left behind. While her fellow ghosts party their afterlives away at an abandoned mansion they call the Haunt, Mal is determined to make contact with Cris from beyond the grave. She enlists the help of a reluctant local medium, Ren, and together, they concoct a plan to pass on a message to Cris. But the more time they spend together, the more they begin to wonder what might have been if they'd met before Mal died. Mal knows it’s wrong to hold on so tightly to her old life. Bad things happen to ghosts who interfere with the living, and Mal can't help wondering if she’s hurting the people she loves by hanging around, haunting their lives. But Mal has always been selfish, and letting go might just be the hardest thing she's ever had to do. (Amazon)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Titan Books for providing a temporary ecopy. This didn't influence my review in any way.

NEW DIRECTIONS

I have to be honest: the synopsis set my expectations for a different story than the one I got, up to an extent. I figured Mal's attempt to communicate with her sister (and maybe her success in doing so) would be the main focus, along with Mal and Ren's (the medium) doomed love story. It turns out that I was right about the second thing (again, up to an extent) and wrong about the first, because this book encompasses so many more themes and situations - though it mostly boils down to coming to terms with one's own death, forgiving oneself and becoming part of a found family, plus helping the living to change their existence for the better. This could have resulted in a sappy (and fairly typical) tale, except the author made some interesting choices that gave enough of a spin to a series of familiar tropes and managed to keep the narrative sharper and rawer than it could have been. For one, Mal Caldera hadn't reached stardom status yet before she met her untimely death, and she was as flawed and selfish as they come (still is, at the start of her afterlife - though the good thing is, she's self-aware about it). Likewise, if the rest of the cast projects a cliché appearance at first, this soon enough makes room for surprises and unexpected twists (for all purposes, so does the story). The setting and worldbuilding (I'm talking about the afterlife-dimension-on-Earth here) are imaginative and well thought-out, and the ghosts' mythology is the right blend of familiar and fresh. [...]

Ryan Leslie: "Colossus" (ARC Review)

Title: Colossus [on Amazon | on Goodreads]
Series: None
Author: Ryan Leslie [Site | Goodreads]
Genres: Sci-Fi, Multiverse
Year: 2024
Age: 18+ (please note: it's definitely an adult book as a whole, but readable by mature teens - there are a couple of preludes to sex scenes that either happen offscreen or not at all, and the horror factor shouldn't be a huge issue, given the amount of very dark YA horror out there. See the WARNING! section though)
Stars: 5/5
Pros: Epic, visionary, intriguing blend of fringe science, parallel realities and horror.
Cons: Complex. Requires suspension of disbelief (which is pretty much the norm with sci-fi anyway). Some characters aren't exactly likeable. The ending is open to interpretations.
WARNING! Horror and gore/body horror/bodily fluids. Violence/murder. Drugs/suicide. Heavy drinking.
Will appeal to: Those who have a thing for parallel realities. Those who enjoy tense and imaginative science fiction that pushes the limit.

Blurb: Economics professor Clay West has always explained the world through the lens of his profession. But after his girlfriend Karla takes Dying Wish - a drug that supposedly reveals the nature of reality moments before it claims your life - Clay is devastated. No amount of rationalization can explain Karla's actions. Distraught, Clay joins a mission into the dark emptiness of space where answers are promised to reside. But when the ship begins to malfunction, Clay and the surviving crew members suspect there's more to the mission than they've been told. They've been lied to, and they're drifting into dead space. Clay's memories of Karla haunt him even more than the ship's chaos, and there's something wrong with his memories: he has too many. The ship's Al tells Clay his false memories are a normal side-effect of the hibernation, but to Clay, the memories suggest something far more insidious. He's been on this ship before... (Amazon)

Review: First off...DISCLAIMER: I received a complimentary eARC from the author, since I had already enjoyed and reviewed his debut novel The Between in 2021. This didn't influence my review in any way.

LARGER THAN LIVES

On his site, Ryan Leslie states that it took him ten years to complete this novel, and let me tell you, I'm not at all surprised. Colossus is an ambitious blend of genres and ideas, spanning Earth, space and parallel universes/converging realities, clones and AI wars, science and philosophy, and last but not least, love and loss. It could have gone very well or very badly, but luckily, the result is impressive, and far less challenging that one might think (I mean, it's still a complex book, but you won't get lost while reading it). Putting his own twist on quantum science and the many-worlds theory, Leslie came up with a story where the scientific angle is just as prominent as the human one, since the two characters/forces that clash during the course of the novel and ultimately engage in a life-or-death battle are - net of the science and the technology that laid the groundwork for such a battle - the product of very human emotions. And I found it fit that the author would devote the first two thirds of his story respectively to the hero's and the villain's genesis (though Clay's section is a mix of real-time plot and flashbacks) - I mean, the general consensus seems to be that Part 2 is a tad too long, or too complex, or less intriguing, but after a couple of chapters, I started to vibe with it, and I ended up finding it both necessary and enjoyable...not to mention, funny at times. The last third is kind of an acid trip in the best way (which I suppose it indeed is, since the infamous Dying Wish makes an apparition 😂), a poignant yet sharp climax steeped in quantum physic and wrapped in a horror nightmare, and if you're into this sort of stuff, it's guaranteed to make your pulse race. [...]

Gwendolyn Kiste: "The Haunting of Velkwood" (ARC Review)

Title: The Haunting of Velkwood [on Amazon | on Goodreads]
Series: None
Author: Gwendolyn Kiste [Site | Goodreads]
Genres: Supernatural
Year: 2024
Age: 14+ (I shelved it as Adult because of the characters' age in the present, but it can be read by mature teens. There are far more graphic YA books out there)
Stars: 4.5/5
Pros: Original take on the haunted house trope (where the house is a whole street). Riveting, atmospheric and suspenseful. Heartbreaking, but hopeful as well.
Cons: Could have used a little more worldbuilding and character development.
WARNING! Violence, domestic abuse (off-page), pedophilia/sexual abuse (off-page), homophobia, bug horror. 
Will appeal to: Fans of literal and psychological hauntings with a mystery (or more) to crack. Readers who favour dual narratives (past + present), female friendships/would-be-romances and sisterly relationships.

Blurb: The Velkwood Vicinity was the topic of occult theorists, tabloid one-hour documentaries, and even some pseudo-scientific investigations as the block of homes disappeared behind a near-impenetrable veil that only three survivors could enter - and only one has in the past twenty years, until now. Talitha Velkwood has avoided anything to do with the tragedy that took her mother and eight-year-old sister, drifting from one job to another, never settling anywhere or with anyone, feeling as trapped by her past as if she was still there in the small town she so desperately wanted to escape from. When a new researcher tracks her down and offers to pay her to come back to enter the vicinity, Talitha claims she’s just doing it for the money. Of all the crackpot theories over the years, no one has discovered what happened the night Talitha, her estranged, former best friend Brett, and Grace, escaped their homes twenty years ago. Will she finally get the answers she’s been looking for all these years, or is this just another dead end? (Amazon)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Saga Press (Simon & Schuster) for providing a temporary ecopy. This didn't influence my review in any way.

STEP UP THE GHOST

A haunting like no other. After a mysterious incident, a whole street vanished in plain sight (or, it didn't exactly vanish, but since then it has existed inside of a blurred bubble that nothing and no one can access...with a few exceptions), giving a brand new meaning to the expression "ghostly neighbourhood"...and its resident became ghosts themselves - or did they? It makes for an exciting premise and a fantastic setup, and for the most part, the story lives up to them (I have but a couple of minor quibbles that I'll come back to in the second part of my review). First one, then two, in the end all three of the estranged childhood friends who escaped the fate that befell their homes are able to enter the ghostly vicinity - but of course, at a cost; and with each trip, a new piece of the puzzle is revealed. Now, if grown-apart adults returning to their childhood lair, secrets and mysteries, and super-eerie locations/manifestations are your jam, this alone would be worth the admission fee; but like all the best horror stories are wont to do, The Haunting of Velkwood ultimately packs a lot more into its slight frame. [...]

B.C. Johnson: "Deadgirl: Daybreak" (ARC Review)

Title: Deadgirl: Daybreak [on Amazon | on Goodreads]
Series: Deadgirl (4th of 5 books, but there's also a novella about a side character that is chronologically book 2.5 in the series - though best read after book 3 if you want to avoid a spoiler about its ending)
Author: B.C. Johnson [Site | Goodreads]
Genres: Afterlife, Supernatural, Urban Fantasy, Contemporary
Year: 2024
Age: 14+
Stars: 5/5
Pros: Imaginative plot. Unique, mind-blowing afterlife concept/visuals. Flawed yet lovable characters who manage to feel realistic in the middle of mayhem.
Cons: Very dark in places (though tempered with funny dialogue/inner monologue). More of a slow-burn than the previous installments. Features some questionable characters' choices.
WARNING! Horror, gore and heartbreak (both for the characters and the readers). Underage drinking. A couple of nudity/underage sex scenes (though not graphic/detailed, mostly happening offscreen). An instance of infidelity. An animal sacrifice. Lots of language.
Will appeal to: Those who love afterlife scenarios. Those who enjoy a mix of laughter and tears, action and strong feelings. Those who like brave, resourceful teens who don't pose as heroes.

Blurb: The final year of high school approaches, and Lucy is ready to break. Too many of her friends have died. Too many monsters have taken their bite. And now Lucy must face her greatest challenge of all: the end of everything she knows. With high school disappearing and the world before her, Lucy must make her choice on what's to come. But with the rise of an old enemy who's been stalking her for three years - and a rapidly dwindling supply of allies - can Lucy even make it to graduation? And more importantly, does she want to? (Amazon excerpt)

Review: First off...DISCLAIMER: I received this novel from the author in exchange for an honest review. And the author being B.C. Johnson, you all know I've been campaigning for his first Deadgirl book with all my might since 2013, when I read the original version. Also, B.C. Johnson and me have stayed in touch, if sporadically, for the whole time. I'm not what you would call a friend of his though, only a fan of his work. And an unbiased one. As usual, this review is the love child of my penchant for quirky, uniquely worded books and B.C. Johnson's ability to deliver them.

THE LONG GAME

Seven years have passed since the last Deadgirl installment (or six, if you count the Daphne novella in 2018...not like one year makes a huge difference), but B.C. Johnson hasn't lost his touch. It's funny, because Daybreak is a bit of a slow burn compared to the other books in the series, especially since the first 100 pages include lots of domestic scenes (if a funeral can be considered "domestic", but you know what I mean) and the main plot seems to revolve around the protagonists' alliance with a certain faction, which isn't my favourite thing to read about. But all this turns out to be a necessary premise to the most exciting (and heartbreaking...and heartwarming - usually, with Johnson, the two go hand in hand) part of the story. Which is why, upon turning the last page, I went back and reread the whole thing, and enjoyed the hell out of it. It doesn't hurt that the afterlife where Lucy has been spending lots of her time since becoming a (still very human) phantom is everything I - the afterlife junk - crave for in a story and more. The Grey is imaginative, visually stunning, almost videogame-like at times, teeming with danger yet interspersed with pockets of love (literally) and beauty. Plus, hands down home to the best scenes in the book - and the most poignant. [...]

Scott Alexander Howard: "The Other Valley" (ARC Review)

Title: The Other Valley [on Amazon | on Goodreads]
Series: None
Author: Scott Alexander Howard [Site | Goodreads]
Genres: Contemporary with a Twist (with a prominent time-travel angle, but not of the Sci-Fi kind)
Year: 2024
Age: 18+ (there are two versions of the protagonist, teen and adult, and on the whole I would categorise the book as "adult" - also because we spend more time with the lead's adult version - but it's accessible to younger readers)
Stars: 4/5
Pros: Imaginative, heartfelt, thought-provoking twist on the time-travel trope.
Cons: Quiet, sometimes sad, sometimes harsh and gloomy. Also, please note: for unknown reasons (though according to someone on Goodreads, it may be due to a new trend???!!!) the ARC lacks any quotation marks or indications of direct speech (no idea about the finished copy). I was able to follow the characters' exchanges without any problem, but if that's something that bothers you, you've been warned. Not that I liked it, but it didn't impact my judgement or enjoyment of the story.
WARNING! Drowning, bullying, sexism, misogyny, abuse, corporal punishments.
Will appeal to: Those who enjoy narratives that play with time and what-ifs. Those who like to speculate about the relationship between cause and effect.

Blurb: Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she’ll decide who may cross her town’s heavily guarded borders. On the other side, it’s the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it’s twenty years behind. When Odile recognizes two visitors she wasn’t supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he’s still alive in Odile’s present. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil’s top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future. (Amazon excerpt)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to  for providing a temporary ecopy. This didn't influence my review in any way.

A DIFFERENT DRUMMER

In the modern publishing landscape, The Other Valley is one of a kind. You might call it a time-travel book, except there's no actual time travel involved, nor it is a sci-fi novel: as a matter of fact, it would be more accurate to call it a speculative book with a multi-temporal perspective, since the actual interaction of characters from different time planes is kept to a minimum (by the way, if you're wondering about the consequences, the worldbuilding in that regard allows for a clever and inventive solution). Also, Howard created a world that feels dated, yet he made sure not to suggest a particular time frame for the events he depicted (nor he hinted at a specific - if fictional - setting, though some of the characters' names and the title of "gendarme" would fit with the French-speaking areas of Canada, the author's country). Last but not least, there's no explanation whatsoever of the three-valley setup, and no reference to its connection - or lack thereof - with the world outside, and it's just as well. The events unfold inside of a closed system, a (not-so-magical) bubble that helps you suspend your disbelief and adds a sense of doom, caused not only by the lengths the valleys' authorities go in order to prevent the residents' future selves from changing their past, but also by the stagnant, melancholic feeling that pervades the valleys themselves, where there hardly seems to be a chance for the status quo to get altered even in the present. [...]

Olugbemisola Rhuday-Perkovic: "You're Breaking My Heart" (ARC Review)

Title: You're Breaking My Heart [on Amazon | on Goodreads]
Series: None
Author: Olugbemisola Rhuday-Perkovic [Site | Goodreads]
Genres: Contemporary with a Twist, Urban Fantasy/Portal Fantasy, Multiverse
Year: 2024
Age: 12+
Stars: 4/5
Pros: Wild, imaginative, at times poetical journey into a teen's grief and sense of guilt. Ode to family and friendship.
Cons: A little confusing at times. Might pose some problems to readers who need all the answers.
WARNING! Death by gun/school shooting (off-page). Near-drowning.
Will appeal to: Those who like a snarky, yet vulnerable lead. Those who enjoy coming-of-age stories with grief as a catalyst set on a fantastic backdrop.

Blurb: Harriet Adu knows that her brother's death is her fault. I mean, it's not actually her fault, but it still kinda is, isn't it? She would do anything to live in a world where she could take back what she said that morning. Then a strange girl shows up at Harriet's high school – a girl who loves the same weird books Harriet does, who doesn't vibe with anyone at school the same way Harriet does – and that different world suddenly seems possible. The girl speaks of a place underneath the subways of New York, where people like them can go and find a home. A place away from the world of high school, grief, cool people, and depression. A place where one may be able to bend the lines of reality and get a second chance at being a better person. Will Harriet open the door? (Amazon)

Review: First off...DISCLAIMER: I requested this title on Edelweiss. Thanks to Levine Querido (Chronicle Books) for providing a temporary ecopy. This didn't influence my review in any way.

MAKING WEAVES

First off - I was pleasantly surprised by this novel. Not only it successfully merges different genres (coming of age, magical realism, portal fantasy, multiverse) by way of regular narrative and experimental devices (see the late chapter that reads like a sitcom, not to mention the switch from 3rd person to 1st person in Ch.11), but it manages to tell a heartfelt, insightful story about grief and regret and facing your demons.

Harriet is a self-deprecating, acerbic Black teen living in New York, who's gradually distanced herself from her older brother Tunde, their cousin Nikka and their friend Luke, until Tunde dies in a school shooting on the very day she ended one of their arguments with "I wish you were dead". Nine months after, now enrolled in the same school Nikka attends and suffering from serious Tragic New Girl syndrome, almost-15 Harriet still blames herself for her brother's death, and would do anything to take those words back. Rhuday-Perkovic looks compassionately (yet humorously) at family and school conflicts, as well as internal ones, only to move the latter on the backdrop of a fever-dream scenario (think Alice in Wonderland, but with a deeper, more cohesive and more straightforward meaning) that promises confort if you're willing to pay a price, and that ultimately forces Harriet to make a choice. [...]