Title: The Vinyl Underground [on Amazon | on Goodreads]
Series: None
Author: Rob Rufus [Site | Goodreads]
Genres: Contemporary, Historical
Year: 2020
Age: 14+
Stars: 3.5/5
Pros: Vivid portrait of an era. Teen protagonists who feel real. Focus on friendship and coming of age (though there's some romance involved). Music fuels the story.
Cons: Messy parent-child dynamics and conveniently clueless adults. Some inconsiderate choices.
WARNING! Verbal and physical abuse (racially charged, for the most part). Unchallenged drug use. Underage drinking.
Will appeal to: Those who appreciate a story walking the line between teen adventure and social/historical commentary.
Blurb: During the tumultuous year of 1968, four teens are drawn together: Ronnie Bingham, who is grieving his brother's death in Vietnam; Milo, Ronnie's bookish best friend; Ramrod, a star athlete who is secretly avoiding the draft; and Hana, the new girl, a half-Japanese badass rock-n-roller whose presence doesn't sit well with their segregated high school. The four outcasts find sanctuary in The Vinyl Underground, a record club where they spin music, joke, debate, and escape the stifling norms of their small southern town. But Ronnie's 18th birthday is looming. Together, they hatch a plan to keep Ronnie from being drafted. But when a horrific act of racial-charged violence rocks the gang to their core, they decide its time for an epic act of rebellion. (Amazon)
Review: First off...DISCLAIMER: I requested this title on NetGalley. Thanks to North Star Editions/Flux for providing a temporary ecopy. This didn't influence my review in any way. Also, please note that this is an uncorrected proof - I was able to spot some (genuine) typos that are most likely not to find their way into the final version 🙂.
Fun fact: to match the book, all the headers for this review are US song titles from the '60s.
THE TIMES THEY ARE A-CHANGIN'
1968 was a pivotal year in most of the Western countries, but there's no doubt that the US - with the Vietnam war draft, the still very much current segregation and Martin Luther King's assassination - were one of the hottest spots at the time. And probably more than anywhere else, music - rock music - embodied the spirit of protest of the young generation, or at least their restlessness. Now, I'm in no position to know firsthand, but it seems to me that TVU captures the feeling perfectly - that of a nation losing its (mostly fake, apparent at best) innocence, and being forced to come of age. Against the backdrop of the draft scare and of his uncertainty about the future, Ronnie - along with his friends - finally sees the bigger picture, and realises that not taking a stand against injustice is just as bad as being part of it. Music itself, for him and the whole Vinyl Underground, become less of a hiding place or a cure for heartbreak, and more of a rebellion flag and a way to make a statement. But it also plays a key role in the story...a role that, of course, I'm not going to spoil 😉. [...]