Title: Girls in the Moon [on Amazon | on Goodreads]
Series: None
Author: Janet McNally [Site | Goodreads]
Genres: Contemporary
Year: 2016
Age: 12+
Stars: 2.5
Pros: Lyrical writing. A love letter to New York and music.
Cons: Relies on a bunch of stereotypes when it comes to characters - even those who are relatable sound too refined to ring true. Conflicts get resolved too easily, or are ultimately glossed over. Both the setting and the music scene are painted with rounded edges, which detracts from believability. Not much happens.
Will appeal to: Those who like quiet stories with a coming-of-age angle and a cute romance.
Series: None
Author: Janet McNally [Site | Goodreads]
Genres: Contemporary
Year: 2016
Age: 12+
Stars: 2.5
Pros: Lyrical writing. A love letter to New York and music.
Cons: Relies on a bunch of stereotypes when it comes to characters - even those who are relatable sound too refined to ring true. Conflicts get resolved too easily, or are ultimately glossed over. Both the setting and the music scene are painted with rounded edges, which detracts from believability. Not much happens.
Will appeal to: Those who like quiet stories with a coming-of-age angle and a cute romance.
Blurb: Everyone in Phoebe Ferris’s life tells a different version of the truth. Her mother, Meg, ex-rock star and professional question evader, shares only the end of the story - the post-fame calm that Phoebe’s always known. Her sister Luna, indie rock darling of Brooklyn, preaches a stormy truth of her own making, selectively ignoring the facts she doesn’t like. And her father, Kieran, the co-founder of Meg’s beloved band, hasn’t said anything at all since he stopped calling three years ago. But Phoebe, a budding poet in search of an identity to call her own, is tired of half-truths and vague explanations. When she visits Luna in New York, she’s determined to find out how she fits into this family of storytellers, and maybe even to continue her own tale - the one with the musician boy she’s been secretly writing for months. (Amazon excerpt)
Review: I thought this book would be the next Luna-C for me (WHICH YOU HAVE TO READ NOW, THANK ME LATER). Heck, both of them even have a main character named Phoebe (because, reasons) and a moon reference in the title/band name. Boy, was I wrong.
So, back in 2016, everyone and their dog was raving about this book. I mean, not literally EVERYONE, but those who had read an ARC were in rapture or something. The few who weren't mainly complained about the book being uneventful, which didn't sound like a big deal to me, since I can enjoy a quiet narrative, provided it's deep. And GITM seemed to qualify. This resulted in my 1) putting this book at the top of my TBR list and 2) ultimately purchasing a HARDCOVER copy, because I didn't want to wait till the paperback was released.
Now, I know part of my disappointment in GITM is due to great expectations gone sour. I can't honestly say it is a BAD book, and the writing is lyrical enough without getting purple - conversely, I would say that there's nothing overwritten or convoluted about it. But the thing is, I no longer have patience with books (or media in general) that perpetuate stereotypes or don't try to break ground in some way. For all its superficial pleasantness, GITM relies on characters and occurrences that we are very much familiar with, and doesn't seem to want to turn them upside down. So, what we ultimately get is a bland coming-of-age story, a too-cute-for-this-world romance, and a bunch of potentially dramatic (or wait, not really) situations/conflicts that either get resolved in a hour or two or are very much glossed over. [...]
MEET CUTE
So, back in 2016, everyone and their dog was raving about this book. I mean, not literally EVERYONE, but those who had read an ARC were in rapture or something. The few who weren't mainly complained about the book being uneventful, which didn't sound like a big deal to me, since I can enjoy a quiet narrative, provided it's deep. And GITM seemed to qualify. This resulted in my 1) putting this book at the top of my TBR list and 2) ultimately purchasing a HARDCOVER copy, because I didn't want to wait till the paperback was released.
Now, I know part of my disappointment in GITM is due to great expectations gone sour. I can't honestly say it is a BAD book, and the writing is lyrical enough without getting purple - conversely, I would say that there's nothing overwritten or convoluted about it. But the thing is, I no longer have patience with books (or media in general) that perpetuate stereotypes or don't try to break ground in some way. For all its superficial pleasantness, GITM relies on characters and occurrences that we are very much familiar with, and doesn't seem to want to turn them upside down. So, what we ultimately get is a bland coming-of-age story, a too-cute-for-this-world romance, and a bunch of potentially dramatic (or wait, not really) situations/conflicts that either get resolved in a hour or two or are very much glossed over. [...]