Title: Come Tumbling Down [on Amazon | on Goodreads]Series: Wayward Children (5th of ?? books)
Author: Seanan McGuire [Site | Goodreads]
Genres: Supernatural (technically it would be Portal Fantasy, but since I don't have a Fantasy Room in my blog, I decided to shelf this one as Supernatural - that's the closest I could get)
Year: 2020
Age: 14+
Stars: 4/5
Pros: An imaginative look-in-reverse at one of the most common fantasy tropes. Puts a neurodivergent queer character front and center. The POV switch is masterfully done.
Cons: Quite dark. Some characters get less screen time than others.
WARNING! A pretty graphic corpse depiction.
Will appeal to: Everyone who's ever felt out of place, but doesn't necessary dream of a happier world than the one they live in...
Blurb: When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister - whom she had recently murdered in a fit of righteous justice - back to their home on the Moors. But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome. (Amazon excerpt)
Review: Each installment of his series never fails to take a different turn, not even when we visit one of the same worlds as before. This time, Jack and Jill are joined by their former schoolmates (which makes for a change of style, since every one of them gets a POV), and we get to explore the Moors' mythology even further. Never a dull moment 😉.
You know how, usually, the first thing that strikes you about a book is either the plot or the characters or the world-building, or well, the writing, but from a purely aesthetic angle? If I have to pick the aspect of CTD that stands out the most for me, it's the constant, apparently effortless POV change. For the second time (since Beneath the Sugar Sky) a group of Wayward Children are on a quest in the world where one...well, technically, two of them belong, except that this time every one of them takes a turn in telling the story. And it's not a matter of chapters - it happens seamlessly every few paragraphs/lines. Though not all the kids get the same amount of screen time (it only makes sense that Jack is given the lion's share, but Sumi is a close second, probably because her apparently air-headed attitude and chipper demeanor help balancing out the dark narrative), we get a rotating glimpse of everyone's thoughts and feelings, and it never feels forced or scattered. Seriously, if you have ever read a book in third person where you felt disconnected from a single character in whose head you were the whole time, you know how rare and precious it is. [...]
PASS THE TORCH
You know how, usually, the first thing that strikes you about a book is either the plot or the characters or the world-building, or well, the writing, but from a purely aesthetic angle? If I have to pick the aspect of CTD that stands out the most for me, it's the constant, apparently effortless POV change. For the second time (since Beneath the Sugar Sky) a group of Wayward Children are on a quest in the world where one...well, technically, two of them belong, except that this time every one of them takes a turn in telling the story. And it's not a matter of chapters - it happens seamlessly every few paragraphs/lines. Though not all the kids get the same amount of screen time (it only makes sense that Jack is given the lion's share, but Sumi is a close second, probably because her apparently air-headed attitude and chipper demeanor help balancing out the dark narrative), we get a rotating glimpse of everyone's thoughts and feelings, and it never feels forced or scattered. Seriously, if you have ever read a book in third person where you felt disconnected from a single character in whose head you were the whole time, you know how rare and precious it is. [...]


